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논문 기본 정보

자료유형
학술저널
저자정보
Hyunjoo Yu (Sogang University)
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제22권 제1호
발행연도
2018.4
수록면
81 - 99 (19page)
DOI
10.24152/NCLE.2018.4.22.1.81

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초록· 키워드

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Nathaniel Hawthorne’s The House of the Seven Gables (1851) involves political questions that were raised during the political transformation brought by the American Revolution. Phoebe Pyncheon carries significance as the one who bridges the Pyncheon household, a memento of colonial America, and the post-Revolutionary outside world. Phoebe enters the House of the Seven Gables and illuminates how that remnant from the past persists, and only does so from a sympathetic viewpoint rather than from a disciplining one as the historiography does. Focusing on Phoebe’s relationships with other American characters, I contend that her way of illuminating is different from the contemporary hegemonic domestic femininity, or the “Republican Mother[hood],” as coined by Linda Kerber, which urged domesticity as a nurturing realm for mens’ civic education and made women responsible for “the stability of the nation” (Kerber 202). Phoebe’s characterization complicates the binary oppositions of the cursed memory from the colonial past and the forthcoming America that curses that memory. In this sense, I read The House of the Seven Gables as a criticism of binarism that permeated antebellum America’s sociopolitical ideologies: the colonial past and the progressive future, the Whig and the Democrat, and leading men and assisting women.

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