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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 중국어문학연구회 중국어문학논집 中國語文學論集 第106號
- 발행연도
- 2017.10
- 수록면
- 293 - 318 (26page)
- DOI
- 10.25021/JCLL.2017.10.106.293
이용수
초록· 키워드
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This thesis shows the recent trends in the Chinese theatre and changes in the performing environment of big cities in China such as Beijing. This includes both Chinese modern drama and traditional drama.
The number of theaters and performances has been increasing remarkably for the last ten years and the performing environment has been improved a lot. The corporative and private investment in performing art also has been increased. In addition, due to the increase in international exchange of the theatre, many foreign theater troupes have participated in international theater festivals such as Beijing Comedy Festival, Wuzhen Theatre Festival etc. And Chinese dramas also went abroad and were performed in many foreign countries. These changes are apparently due to recent economic growth in China.
The year 2016 marked the 400th anniversary of the death of Shakespeare and Tangxianzu who was an excellent playwright in Ming dynasty. And it also marked the 50th anniversary of the death of Laoshe who was one of the most beloved playwright by Chinese people, especially by Beijing citizen. To honor these great writers, their masterpieces such as Hamlet, Macbeth, King Lear, Mudanting, Handanji, Chaguan were performed several times in various forms. Among them, there were new interpretations and recreations of works such as Pop Peking Opera Lady Macbeth, modern drama Handanji.
There are new attempts to reform Chinese traditional dramas in order to attract young audience. Among those efforts, "2016 Xiqu Opera Black Box Festival" in Beijing is particularly worthy of note. It was held in Star Theater which consists of 5 small theaters and cafe in Beijing, claiming to support ‘New attempts’ and ‘Young actors and audiences’. Chinese traditional drama troupes from all over the country performed 20 famous works in this festival. Most of them were more or less recreated to attract large audiences. Small theater is a perfect place to get close to audiences and impress them. It made a special experience for the audience.
It is very hard to say that these theatrical attempts and efforts for surviving are all successful. Still, there is concern for censorship and control, nationalism and orientalism. And there is worry about excessive commercialization of theater, too. However continual endeavors and novel ideas for reaching a wider audience will make gradual and positive changes in the future, although there are trials and errors.
The number of theaters and performances has been increasing remarkably for the last ten years and the performing environment has been improved a lot. The corporative and private investment in performing art also has been increased. In addition, due to the increase in international exchange of the theatre, many foreign theater troupes have participated in international theater festivals such as Beijing Comedy Festival, Wuzhen Theatre Festival etc. And Chinese dramas also went abroad and were performed in many foreign countries. These changes are apparently due to recent economic growth in China.
The year 2016 marked the 400th anniversary of the death of Shakespeare and Tangxianzu who was an excellent playwright in Ming dynasty. And it also marked the 50th anniversary of the death of Laoshe who was one of the most beloved playwright by Chinese people, especially by Beijing citizen. To honor these great writers, their masterpieces such as Hamlet, Macbeth, King Lear, Mudanting, Handanji, Chaguan were performed several times in various forms. Among them, there were new interpretations and recreations of works such as Pop Peking Opera Lady Macbeth, modern drama Handanji.
There are new attempts to reform Chinese traditional dramas in order to attract young audience. Among those efforts, "2016 Xiqu Opera Black Box Festival" in Beijing is particularly worthy of note. It was held in Star Theater which consists of 5 small theaters and cafe in Beijing, claiming to support ‘New attempts’ and ‘Young actors and audiences’. Chinese traditional drama troupes from all over the country performed 20 famous works in this festival. Most of them were more or less recreated to attract large audiences. Small theater is a perfect place to get close to audiences and impress them. It made a special experience for the audience.
It is very hard to say that these theatrical attempts and efforts for surviving are all successful. Still, there is concern for censorship and control, nationalism and orientalism. And there is worry about excessive commercialization of theater, too. However continual endeavors and novel ideas for reaching a wider audience will make gradual and positive changes in the future, although there are trials and errors.
목차
1. 들어가며
2. 대도시의 극문화와 공연 환경의 변화 : 北京을 중심으로
3. 셰익스피어와 탕현조를 만나다
4. 계승과 변화, 전통극의 새로운 시도들
5. 나오며 : ‘생존이냐, 훼멸이냐’
參考文獻
ABSTRACT
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