지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2017.9
- 수록면
- 117 - 133 (17page)
이용수
초록· 키워드
오류제보하기
In the range of this study, the conclusion is derived as below.
Nishizawa Ryue conducted architectural work in regard of continuity or environment of space.
His architect is on the point of retaining continuity which provides more opportunities for human to build new and various relationships, establishing diversity of the space. His design does not contain a fixed formation or direction on purpose because of the continuity, however, this may be regard as being thereit assumes the intermediate role among the surroundings. Therefore, there is not any installation to divide the space specifically in form, material or color. As a result, this architecture blurs a border with the neighborhood, reflecting topography and atmosphere of the region. N. Ryue focused to build a strong architecture, which is harmonious and slightly discriminative at the same time.
Meanwhile, installations found in Ryue"s architecture to conduct the continuity in each space bore several resemblances to Japanese" traditional architecture. First, on the continuity of interior space there are similar characteristics of Sindenzukuri style, moreover, Japanese Borrowed Scenery -Structure and Japanese De-tour flow were both founded on the interior and exterior continuity section. Third, on the environment and the earth continuity, Enkawa and Roji method were borrowed. Fourth, those directions to establish ambiguous borders for continuity make a contribution to discover a new beauty, which stand for the connection with Yugen,a Japanese" traditional aesthetic.
Nishizawa Ryue conducted architectural work in regard of continuity or environment of space.
His architect is on the point of retaining continuity which provides more opportunities for human to build new and various relationships, establishing diversity of the space. His design does not contain a fixed formation or direction on purpose because of the continuity, however, this may be regard as being thereit assumes the intermediate role among the surroundings. Therefore, there is not any installation to divide the space specifically in form, material or color. As a result, this architecture blurs a border with the neighborhood, reflecting topography and atmosphere of the region. N. Ryue focused to build a strong architecture, which is harmonious and slightly discriminative at the same time.
Meanwhile, installations found in Ryue"s architecture to conduct the continuity in each space bore several resemblances to Japanese" traditional architecture. First, on the continuity of interior space there are similar characteristics of Sindenzukuri style, moreover, Japanese Borrowed Scenery -Structure and Japanese De-tour flow were both founded on the interior and exterior continuity section. Third, on the environment and the earth continuity, Enkawa and Roji method were borrowed. Fourth, those directions to establish ambiguous borders for continuity make a contribution to discover a new beauty, which stand for the connection with Yugen,a Japanese" traditional aesthetic.
목차
Abstract
Ⅰ. 서론
Ⅱ. 니시자와 류에의 건축철학
Ⅲ. 사례조사
Ⅳ. 일본 전통요소 관련성
Ⅴ. 결론
참고문헌
참고문헌 (7)
참고문헌 신청
[단행본] - KAZUO SEZIMA / 2003 / KAZUO SEZIMA + RYUE NISHIZAWA /SANAA WORKS 1995-2003 / TOTO出版
[단행본] - WALTER NIEDERMATR / 2002 / KAZUYO SEJIMA + RYUE NISHIZAWA / SANAA / HATJE CANTZ
[단행본] - 東 孝光 / 1985 / 日本人の建築空間 / 彰國社
[단행본] - 中川武 / 2003 / 日本の 家 / TOTO출판
[학술지(정기간행물)] - 김양희 / 2006 / 유겐(幽玄)의 미학(美學) 이데올로기 고찰 / 일어일문학 (32) : 131 ~ 148
[단행본] - WALTER NIEDERMATR / 2002 / KAZUYO SEJIMA + RYUE NISHIZAWA / SANAA / HATJE CANTZ
[단행본] - 東 孝光 / 1985 / 日本人の建築空間 / 彰國社
[단행본] - 中川武 / 2003 / 日本の 家 / TOTO출판
[학술지(정기간행물)] - 김양희 / 2006 / 유겐(幽玄)의 미학(美學) 이데올로기 고찰 / 일어일문학 (32) : 131 ~ 148
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UCI(KEPA) : I410-ECN-0101-2018-595-001334359