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논문 기본 정보

자료유형
학술저널
저자정보
장샤오솽 (동서대학교) 최동혁 (동서대학교)
저널정보
한국색채학회 한국색채학회논문집 한국색채학회논문집 제31권 제1호(통권 제73호)
발행연도
2017.2
수록면
75 - 82 (8page)

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A famous Peking opera Farewell My Concubine has been inherited for a long time and is still highly recognized in the public. This work represents méi lán fāng, the founder of méi group, a Chinese artists" group. This is one of the representative works that integrated the artistic value of Peking operas. It is, therefore, thought that the study on era based change of clothing colors of Peking operas helps understanding Peking opera and Chinese traditional artistic value as such change is one of the major elements of Peking opera. For this purpose, the study covers era based clothing images shown on Farewell My Concubine with the study methods: first, theoretical approach to Peking opera by preliminary study on the definition and history of Peking opera in China, significance of Farewell My Concubine and clothing culture of Peking opera; second, looking into the color tones characteristics of Peking opera clothing; third, empirical study based analysis and comparison of the two main characters" clothing by era through the color tone characteristics; and finally, conclusion and proposal based on the results of such analysis. This paper will be a key study material that helps you understand the Chinese traditional art and analyzes the factors for changes that are forecasted to come in the future by comparing and analyzing the traditional color tones of the characters" clothing in the Peking opera Farewell My Concubine by era and looking into the difference and causes of such changes.

목차

Abstract
1. Introduction
2. Theoretical Background of eking Opera
3. Characteristic of Costume Color of China Peking opera
4. Analysis on Era based Clothing of Farewell My Concubine
5. Conclusion
References

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UCI(KEPA) : I410-ECN-0101-2017-651-002239156