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자료유형
학술대회자료
저자정보
유미 (동국대학교)
저널정보
미래영어영문학회 미래영어영문학회 학술대회 자료집 미래영어영문학회 2015년도 추계학술대회 발표논문집
발행연도
2015.12
수록면
7 - 19 (13page)

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Anne Sexton is classified as one of the Confessionary Poets – such as Robert Lowell, W. D. Snodgrass, and Sylvia Plath. Unlike conventional poetry that emphasizes universality of literature, Confessionary Poetry vibrantly exudes the poet’s personal voice, usually hidden behind the character. The appearance of Confessionary Poets shows a new direction of American Poetry, although somewhat radical an experiment after the war.
In the 1950’s of the post-war era, the American society stresses social stability and public order based on the economic prosperity. Perhaps the pleasantness from prosperity outweighed the unpleasantness derived from tolerance. The majority of the public accepted idealized views of women and family instigated upon by the mass media and commercials, and seemed to have given up their ideological and perceptual freedom controlled by right-wing politics, as best represented through McCarthyism.
Within such societal ambience, the appearance of Confessionary Poets was inevitable. They tried to recover their subjectivity and literary achievements by exploring personal emotions that were repressed under affluent society.
In this paper, I will examine Anne Sexton - who ended her life by committing a suicide – along with her works. It will highlight her relationship with the society in an ontological dimension. In addition, the therapeutic power poetry has will also be illustrated.

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Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
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