메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류
인문학
인문학 일반 역사학 철학 종교학 어문학 기타 인문학
사회과학
사회과학 일반 경영학 관광학 교육학 군사학 문헌정보학 법학 사회학 신문방송학 심리과학 정치외교학 지리학 행정학 경제학 무역학 인류학 기타 사회과학
자연과학
자연과학 일반 물리학 생물학 생활과학 수학·통계학 천문학 지구과학 화학 기타 자연과학
공학
공학 일반 건축공학 기계공학 산업공학 재료·에너지공학 전기전자공학 조선해양공학 화학공학 컴퓨터학 기타공학
의약학
의학 일반 간호학 수의학 약학 한의학 기초의학 임상의학 기타 의약학
농수해양학
농수해양학 일반 농학 수산학 식품과학 임학 축산학 해상운송학 기타 농수해양학
예술체육학
예술 일반 디자인 미술 미용 사진 음악학 의상 체육 공연매체예술 기타 예술체육학
복합학
학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

ENG

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국복식학회 복식 복식 제30권
발행연도
1996.11
수록면
261 - 274 (14page)

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
1. Introduction In the present age dominated by both certainty of 1%, and uncertainty of 99%, `Fuzzy thinking` of Bart Kosko, that is the way to solve the problems by the scientific way through a worldview of Buddhism or Taoism greatly prevails around the world over "Lateral thinking`, and the authenticity or the right and-wrong of the uncertainty, which is the thinking way to find the answer of the problems of illogical way of Edward de Bello against the western verical thinking way. Concurrently fashion designers over the world also adopt the oriental elements. But there exist differences of thoughts between the Orient and the Occident. And they have different thinking way of aestheticism and references of the value on the beauty. Not only beauty but the view through the mind as intuitional thought in which not only the recognition of sense but also the rationalism and the naturalness play key role. The asethetic sense in th orient constains both the truth and virtue. 2. The asethetic thought in the Orient It`s from the thought of neutralization of Confucius. The mean or moderation state which in harmony with ethical virtue and aesthetic beauty is the ideal and is the ultimate. Therefore the thought of Confucian is the creativity in which the balance and the harmony is most important. Fashion design is also one of the representation of the mean, because the spirit of the designer is harmonized formlessly with the object of the model of the fashion design. 2) The beauty of skillfulness It indicates the Taoism of Lao-tzu and Chuangtzu. It takes a super-arustic declaration that human can feel and recognize the color of colorlessness, the sound of soundlessness, and the taste of tatelessness. The thought of arts affected by Taoism is `advanced age`. called the beauty of skillfuness. The view of arts of Lao-tzu takes the beauty of cosmos and the nature as a standard. Especially the beauty of inactivity is recognized by the linkage between the beauty and the ugliness. And these things appear in fashion design as a design elelment such as humor or exaggeration. 3) The beauty of non-dualism It is thought of Buddhism that all evil passions of worry occur from the opposition in dualism. Finally this thought leads to that everything is consistent and truth is only one from the point of view that virtue and vice has on linkage, that is `no virtues, no vices` (不思善, 不思惡) and `one with two, two with one, one is not two` (一而二, 二而一, 一而不二), A big tendency like this became the root formation of the thought of the oriental arts. 3. Characteristics of the oriental asethetic sense on the present fashion design 1) The formation of the fashion design on the oriental elements In the picture-incantation(圖像呪術), which was a representation of an era when the though of `cosmic dual forces(The positive and negative)` dominated, the basic polygons of `a circle, square, triangle` means both `one, two, three`, and `the negative, positive, mean` of cosmic elements. From this point of view the way of planner cutting in the Orient is different from that of the Occidental which is in three-dimensional. The plannaer polygon type of the cut-pieces comes to have the meaning of the three-dimension, when they consist of a suit that has the combination of each cut-piece. This shows the consistency with the principle of cosmos creation of Taoism that one is two is three and three is everything. 2) The coloring and the symbolic representation of the fashion design on the oriental elemensts The sense on the colors in the Orient from the thought of `the cosmic dual forces and the five elements(陰陽五行說)` is not the experienced from the knowledge, but contains the consideration of philosophy, Five-primary-color(五正色) representing compass directions Blue(East), Red(South), Yellow(Center), White(West), and Black(North) is called `the positive`. for this five-primary-color, secondary-color(間色) which comes from the compound of the primary color is called 'the negative'.

목차

등록된 정보가 없습니다.

참고문헌 (0)

참고문헌 신청
참고문헌이 DBpia에서 서비스 중이라면, [참고문헌 신청]을 통해 등록해보세요

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

15-16세기 朝鮮 白磁에 보이는 明代 磁器의 影響
이현정 미술사학연구(구 고고미술) 2011 .06
예술로서 패션의 미의식과 미적 향수에 대한 실증적 연구
윤지영 복식 2009 .02
의복과 메이크업의 컬러 코디네이션이 캐주얼 착용자의 이미지에 미치는 영향
정수진 ,  강경자 복식 2007 .06
토탈 코디네이션 요소로서의 헤어와 메이크업에 관한 연구 : 고저스 이미지를 중심으로
이언영 ,  이인성 복식 2004 .10
얼굴유형과 의복 네클라인과의 조화 연구
문남원 ,  김옥진 복식 1997 .11

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2017-381-000757807