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This article explores how James Baldwin’s less known novel If Beale Street Could Talk could examine the meaning of black masculinity during the Civil Rights era by analyzing a black male protagonist Fonny’s dream as an artist and his transformation from an artist to an artisan. Here, the notion of Lynn O. Scott’s ‘artist-artisan’ serves an essential framework in this paper. By utilizing Scott’s term as an integrated concept that fulfills Baldwin’s ideal as well as reality, a black man’s dream as an artist and his change (or breakdown) will be closely examined and linked Baldwin’s identity as an artist and masculinity. Leaving Baldwin’s homosexual identity aside, he seems to depict this heterosexual black man, Fonny, in order to give readers leeway to interpret and comprehend how a young black man can possibly build up his presence both in a black community and in a dominant white society.
목차
Ⅰ. Introduction
Ⅱ. Fonny in Harlem: Baldwin’s Double with an Artistic Soul
Ⅲ. Fonny in Jail: Baldwin’s Resolution to Be an Artist
Ⅳ. Conclusion
Works Cited
참고문헌 (15)
참고문헌 신청
Allen, Robert L. A Guide to Black Power in America: An Historical Analysis. London: Victor Gollancz, 1970.
Baldwin, James. If Beale Street Could Talk. 1974. New York: Vintage Books, 2013.
Burks. Mary F. “James Baldwin’s Protest Novel: If Beale Street Could Talk.” Negro American Literature Forum 10. 3 (1976): 83-95.
Carbado, Devon W. “Black Male Racial Victimhood.” Callaloo 21.2 (1998): 337-61.
Du Bois, W. E. B. The Souls of Black Folk. 1903. New York: Dover Publications, 1994.
Baldwin, James. If Beale Street Could Talk. 1974. New York: Vintage Books, 2013.
Burks. Mary F. “James Baldwin’s Protest Novel: If Beale Street Could Talk.” Negro American Literature Forum 10. 3 (1976): 83-95.
Carbado, Devon W. “Black Male Racial Victimhood.” Callaloo 21.2 (1998): 337-61.
Du Bois, W. E. B. The Souls of Black Folk. 1903. New York: Dover Publications, 1994.
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UCI(KEPA) : I410-ECN-0101-2016-840-002497966