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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This article attempts to clarify Jean Giraudoux"s theatricality through boundary space and spatial objects in his dramas. As a dramatist having pursued the literary drama of highly refined language and poetic expression, Jean Giraudoux owes his most dramas to a myth.
For this reason, in his plays it is easy to find a sacred space, a secular space and a boundary space such as balcony, terrace, window, threshold which exists in these two areas. First of all, the balcony in Amphitryon 38 forms a special territory for Jupiter intending to go into Alcmene"s palace. That consists of a boundary between God and Human. Contrary to popular belief, a threshold symbolizes a pass to the death in Giraudoux"s Judith. A curtain which stops coming down at the finish, makes a special effect on the theatrical stage of La guerre de Troie n"aura pas lieu. In Electre and Sodome et Gomorrh. The curtain becomes the core device to accentuate his theatricality. Lastly, the counter of Cantique des cantiques, gives an omniscient viewpoint to the cashier, an extra who can see behind the scenes and describe it vividly for spectators.
To conclude, the boundary space plays a key role to express Giraudoux"s theatricality. Because it is an essential device for Giraudoux to modify a myth into a new drama, to extend its meaning and to amplify the spectacle on a scene.
For this reason, in his plays it is easy to find a sacred space, a secular space and a boundary space such as balcony, terrace, window, threshold which exists in these two areas. First of all, the balcony in Amphitryon 38 forms a special territory for Jupiter intending to go into Alcmene"s palace. That consists of a boundary between God and Human. Contrary to popular belief, a threshold symbolizes a pass to the death in Giraudoux"s Judith. A curtain which stops coming down at the finish, makes a special effect on the theatrical stage of La guerre de Troie n"aura pas lieu. In Electre and Sodome et Gomorrh. The curtain becomes the core device to accentuate his theatricality. Lastly, the counter of Cantique des cantiques, gives an omniscient viewpoint to the cashier, an extra who can see behind the scenes and describe it vividly for spectators.
To conclude, the boundary space plays a key role to express Giraudoux"s theatricality. Because it is an essential device for Giraudoux to modify a myth into a new drama, to extend its meaning and to amplify the spectacle on a scene.
목차
Ⅰ. 시작하며
Ⅱ. 성과 속
Ⅲ. 삶에서 죽음으로
Ⅳ. 연극의 안과 밖 : 무대 보이기와 가리기
Ⅴ. 마치며
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UCI(KEPA) : I410-ECN-0101-2016-001-002360621