지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study aims to investigate for film Choi Wee-An’s Film 〈Today And The Other Days〉 that is a very special narrative text, in which there is representing various point of views related to the narrator of the narrative texts and the point of views/ focalization which have been discussed by the number of the narrative researchers so far. In particular, the author also deals with the researchers from Gerard Genette, Mieke Bal and Jean-Louis Baudry to Laura Mulvey who are regarded the best theorists in this field. Based on these studies as methodologies, the author examines the movie 〈Today And The Other Days〉in detail that makes this movie extraordinary is in manipulating the mechanism of narrator, amusement of point of view/ focalization, and creation and delivery of narrative information, and also in awakening that these facts are overturned and obviously shown.
To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’ theory to analyze narrative structure of film. The result of analysis shows that there are three focalizers in film; director, protagonist-character and camera. And aspects of film can be varied by distance of each focalizer. These distances between focalizers limit amount of visual information.
To get rid of ambiguousness the term ‘point-of view’, this article applies ‘focalization’ theory to analyze narrative structure of film. The result of analysis shows that there are three focalizers in film; director, protagonist-character and camera. And aspects of film can be varied by distance of each focalizer. These distances between focalizers limit amount of visual information.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
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Abstract
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UCI(KEPA) : I410-ECN-0101-2016-688-001753081