지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Ingmar Bergman explores the human aspects of both spiritualized internals and physical externals through knight Antonius Block and squire Jons returning after fighting in the Crusades. Bergman also claims the calm integration through an unstable contrast in the set of Sweden in North Europe where lives become exhausted in instant, hypocritical frenzy about religion. That is a conflict between metaphysics and physics, a collision between theology and philosophy; furthermore a realization of unknown world. His film ‘The Seventh Seal’ captures a violent aspect of religion, which exploit the intrinsic fear and terror of humans. It is Hero Paradigm noticed with a character arc displayed in the view of Antonius, who suffers spiritual pain because the Crusades having lasted over 200 years in the medieval era keep silent in the questions about the death and eternals in relation with God and belief. This film reflects theatrical devices into the frame constantly. For example, it borrows Bertolt Brecht’s distanciation by morality play in addition to medieval liturgical drama, farce and interlude. It is remarkable that by rhetoric of Aristoteles, the genres of suggesting, debating, judging are reflected in the sequences of the morality play, the Inn and the Witchhunt, resulting in making an effect of alienation. Thus, It is the intellectual faculties of Bergman as a film composer that have the audience contemplate and analyze every phenomenon suggested.
목차
Ⅰ. 서론
Ⅱ. 잉마르 베리만의 <제7의 봉인> 소개
Ⅲ. 영화 <제7의 봉인> : 캐릭터 아크를 통해본 영웅의 패러다임
Ⅳ. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2016-688-001753950