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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
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The Kyushuha is known as an avant-garde group active in Japan around 1960.
Until now, research in early works of Kyushuha has suggested that certain characteristic societal themes are recognized, but how the artists developed these themes remains unclear.
Analysis of works from the Kyushuha’s active early period confirms that certain artists were handling societal themes at that time. Those themes were contemporary societal or local issues, especially those concerning coal miners in Kyushu.
These thematic characteristics can also be glimpsed particularly in their involvement with poetry journals in Fukuoka, and themagazine Circle MURA.
Thus, it is clear that the societal themes seen in the early work of the Kyushuha have some relationship to certain poetry journals in Fukuokaand Circle MURA, which showed similar interest in local issues.
Considering the above, I would like to propose the following hypothesis.
Instead of considering the Kyushuha’s consciousness of societal problems as an isolated phenomenon that developed within the group, it is possible to think of it as a collective consciousness born from a movement that combined the Kyushuha, poetry journals, and Circle MURA. The purpose of this paper is to propose research into the Kyushuha from this perspective.
Until now, research in early works of Kyushuha has suggested that certain characteristic societal themes are recognized, but how the artists developed these themes remains unclear.
Analysis of works from the Kyushuha’s active early period confirms that certain artists were handling societal themes at that time. Those themes were contemporary societal or local issues, especially those concerning coal miners in Kyushu.
These thematic characteristics can also be glimpsed particularly in their involvement with poetry journals in Fukuoka, and themagazine Circle MURA.
Thus, it is clear that the societal themes seen in the early work of the Kyushuha have some relationship to certain poetry journals in Fukuokaand Circle MURA, which showed similar interest in local issues.
Considering the above, I would like to propose the following hypothesis.
Instead of considering the Kyushuha’s consciousness of societal problems as an isolated phenomenon that developed within the group, it is possible to think of it as a collective consciousness born from a movement that combined the Kyushuha, poetry journals, and Circle MURA. The purpose of this paper is to propose research into the Kyushuha from this perspective.
목차
I. 시작하며
II. 규슈파의 초기작품 분석 - 작품의 주제적 측면에서
Ⅲ. 규슈파와 특정 잡지와의 관계
IV. 맺으며 - 규슈파 재고찰에 대한 새로운 제안
참고문헌
Abstract
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