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This article explores the ways in which magical realism has been helpful to Gabriel Garcia Marquez in raising a voice of protest against social injustice in his novella Cronica de una muerte anunciada [Chronicle of a Death Foretold, (Chronicle) 1981/1983], a protest against two contributing factors, honour killing and slavery. Our study undertakes a close reading of the text within the framework developed from postcolonial theory and new historicism. We argue that throughout Chronicle, Garcia Marquez highlights the concept of honour as a thriving cultural phenomenon in the Latin American society and raises a voice of protest against several other issues, including racial discrimination as an after effect of slavery.
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ABSTRACT
INTRODUCTION
ANALYSIS AND DISCUSSION
CONCLUSION
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UCI(KEPA) : I410-ECN-0101-2016-950-001534374