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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.12
- 수록면
- 531 - 544 (14page)
- DOI
- 10.17548/ksaf.2014.12.18.531
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초록· 키워드
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This paper examines the begininng and characteristics of the Korean Wave in Japan by categorizing and looking closely at each trend as seen in "Mooks" published by Tokimeki Publishing, thereby bringing to light the changing trends and special traits of the Korean Wave in the case of Japan. The tendency to consume a film or drama along with materials in print is a characteristic unique to Japan. When the Korean Wave in Japan began in 2003 with the broadcast of the TV drama, "The Winter Sonata", various printed materials related to it began to be published.
Meanwhile, a "Mook" is a periodical carries the characteristics of both a "magazine" and a "book" and has the advantage of reacting immediately to changing trends. Therefore, the publishing environments of mooks reflect amply the genre-based diversification and more in-depth rise within the Korean Wave. In this paper, I will seek to examine the changes in the Korean wave and its current status by examining mooks published by Tokimeki Publishing from 2004 to 2014. I, the writer of this paper, took part in its publication during this period.
Mooks devoted to the Korean Wave started appearing in the late 2003 when "The Winter Sonata" became a huge hit in Japan and a fandom of Bae Yong-jun began to be formed. In 2004, mooks were expanded to include Korean films as well as dramas and star actors and they reached their first peak in 2006. From 2007, mooks specializing in TV dramas replaced those devoted to films and from 2008, mooks specializing in historical dramas appeared on the market, catering to readers" diverse tastes. There began to be a diversity in articles and the quality also went up around this time. And in 2001, with the rise of a new star in the shape of Keun Suk Jang and the emerging popularity of K-pop, a second peak for mooks came to be but due to the rapidly chilling of relations between South Korea and Japan affecting the Korean Wave in Japan, this peak also declined.
Since it has been more 10 years since the first publication of Korean Wave-related mooks in 2003, I believe now would be a good time to asses the achievements and roles of mooks in the spread of the Korean Wave in Japan. In this paper, I will attempt to predict the future vision of the Korean Wave in Japan.
Meanwhile, a "Mook" is a periodical carries the characteristics of both a "magazine" and a "book" and has the advantage of reacting immediately to changing trends. Therefore, the publishing environments of mooks reflect amply the genre-based diversification and more in-depth rise within the Korean Wave. In this paper, I will seek to examine the changes in the Korean wave and its current status by examining mooks published by Tokimeki Publishing from 2004 to 2014. I, the writer of this paper, took part in its publication during this period.
Mooks devoted to the Korean Wave started appearing in the late 2003 when "The Winter Sonata" became a huge hit in Japan and a fandom of Bae Yong-jun began to be formed. In 2004, mooks were expanded to include Korean films as well as dramas and star actors and they reached their first peak in 2006. From 2007, mooks specializing in TV dramas replaced those devoted to films and from 2008, mooks specializing in historical dramas appeared on the market, catering to readers" diverse tastes. There began to be a diversity in articles and the quality also went up around this time. And in 2001, with the rise of a new star in the shape of Keun Suk Jang and the emerging popularity of K-pop, a second peak for mooks came to be but due to the rapidly chilling of relations between South Korea and Japan affecting the Korean Wave in Japan, this peak also declined.
Since it has been more 10 years since the first publication of Korean Wave-related mooks in 2003, I believe now would be a good time to asses the achievements and roles of mooks in the spread of the Korean Wave in Japan. In this paper, I will attempt to predict the future vision of the Korean Wave in Japan.
목차
Abstract
日文抄錄
I. 序論
Ⅱ. 日本における韓流出版物
Ⅲ.「TOKIMEKIパブリッシング」刊行韓流ムックの展開
Ⅳ. 日本における韓流の特?と波及?果
Ⅴ. 課題及び提案
Ⅵ. 結論
Reference
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