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Split Screens in Conversations with Other Women - Reminiscence of Romance and Henri Bergson's Concept of 'Durée'
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<낯선 여인과의 하루>의 화면 분할 : 후일담 로맨스, 그리고 앙리 베르그송의 '지속'

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Type
Academic journal
Author
Chang, Woo Jin (아주대학교)
Journal
Korean Cinema Association(KCA) Film Studies Vol.62 KCI Accredited Journals
Published
2014.12
Pages
275 - 304 (30page)

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Split Screens in Conversations with Other Women - Reminiscence of Romance and Henri Bergson's Concept of 'Durée'
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This paper examines the use of split screens in Hans Canosa"s Conversations with Other Women (2005), which can be named as reminiscence of romance film, through Henri Bergson"s concept of "duree".
It is noticed that this film entirely uses split screen technique, which Hans Canosa wants to call as "dual-frame", and tells a story about a brief encounter and one night stand of a couple, who had been in love with and married to each other a long time ago and enjoys now their conversations and sex indulging in reminiscences with a complicated feeling and various emotions. I want to call this film "reminiscence of romance" that recalls the previous romance in a nostalgic mood in the present, in which the couple who had been in love with each other meet and experience again another romantic moment, or combines both. And then, I discussed, referring to Henri Bergson"s philosophy about time as a quality in which the past can coexist and be combined with the present in the form of duree pure, how this film parallels the past and the present in split screens, how these two infiltrate into each other so as to lead to the perception of romance with all kinds of emotions.
In this process, split screen techniques of three kinds of scenes were investigated: the memory of their first meeting scene, sex scene, and recognizing their parting scenes. As a result, it is revealed that even though this film tells a simple event, with the usage of split screen, it makes us experience the time of duree which Bergson mentioned and seeks a film about "romantic" instead of a romantic film.

Contents

1. 들어가는 말
2. 후일담 로맨스
3. 베르그송의 지속
4. <낯선 여인과의 하루>의 화면 분할
5. 결론
참고문헌
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UCI(KEPA) : I410-ECN-0101-2016-688-000997723