지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.12
- 수록면
- 345 - 370 (26page)
이용수
초록· 키워드
오류제보하기
Young Jean Lee’s The Shipment is the political play which casts doubts on and satirizes the post-racial society celebrated by lots of Americans since Obama became the first African American President. This play seems to adopt the legacy of the 19th century minstrel show in which black-faced buffoons lampooned the hypocrisy of upper-class society. It not only revives the unique minstrel show’s repertories; dance, skit, hymn etc., but also summons the dilemma of the spectatorship on the minstrel show; the guilty pleasures. In short, Young Jean Lee sets out to challenge audiences over their own racial biases(conscious and otherwise) by working with black actors to create a play that explores African-American stereotypes, experiences, and their history as minstrel players. As watching this hilarious 21th century minstrel show, audiences cannot help laughing unceasingly at the racial stereotype representations. Then, Young Jean Lee asks audience if it is okay that we can enjoy the racially biased comedy show while it is argued that we’re living in a so called a post-racial society. Either it is politically correct or not, the audiences try to find out their own answers for that question. The audiences’ searching for the answers is nothing but the politics of this play.
This article demonstrates that in The Shipment, the play where Lee is curious to take the temperature of audiences on the question of identity politics, we can see any claims of “post-racial” society and other denials of racism may reflect ignorance of history and may reinforce the false ideas that race does not matter any more.
This article demonstrates that in The Shipment, the play where Lee is curious to take the temperature of audiences on the question of identity politics, we can see any claims of “post-racial” society and other denials of racism may reflect ignorance of history and may reinforce the false ideas that race does not matter any more.
목차
I. 서론
II. 민스트럴 쇼와 인종차별적 재현을 보는 ‘죄스런 즐거움’
III. 21세기 민스트럴 쇼의 정치성
IV. 결론
인용 문헌
Abstract
참고문헌 (1)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
한국계 미국 연극의 문화지형도 읽기 : 성 노와 줄리아 조의 작품을 중심으로
정미경
한국학(구 정신문화연구)
2010
.06
아시아계 미국여성의 젠더화된 몸 : BFE*를 중심으로
정미경
현대영미드라마
2008
.04
클린트 이스트우드의 American Sniper에 나타난 제국주의 담론에 대한 탈식민주의적 연구
강형민
현대영미드라마
2016
.04
민스트럴 쇼 역사의 재고: Uncle Tom’s Cabin의 출판 전후를 중심으로
전준택
현대영미드라마
2023
.12
30년대 경성과 동경의 ‘카페’ 유흥문화 비교 연구
우정권
한국현대문학연구
2008
.12
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-842-001022714