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논문 기본 정보

자료유형
학술저널
저자정보
정미경 (동국대학교)
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제26권 제3호
발행연도
2013.12
수록면
161 - 190 (30page)

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초록· 키워드

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Young Jean Lee’s Songs of the Dragons Flying to Heaven is often blamed for its eccentricity and uneasiness and ‘horrible’ racial attitude. Based on the political correctness, most Asian American plays dealing with racial discrimination try to criticize the fake racial images of Asians and Asian Americans and instead depict their authentic race and ethnicity on stage. On the contrary, Songs of the Dragons Flying to Heaven, written by a 2nd generation Korean American playwright, is full of the racial and the ethnic stereotypes prevailing in the U.S. popular culture. It also represents the Korean traditional culture as a oriental kitsch.
Even though many critics allege this play is politically incorrect, I argue that this play maneuver racial politics in a different style, of which characteristic is aesthetic in nature. The racial and the ethnic stereotypes in this play should be considered to be the intentional theatrical tactics. In other words, the self-deprecating attitude and the body grotesque which the Korean American and the Korean characters represent on the stage can be characterized as the dissemblance. Using the funny racial stereotypes, Young Jean Lee makes the white audiences feel pleased, and at the same time, displeased. The audiences who pretend to be color blinds, at first, laugh but then cannot help recognizing their hypocrisy.
This theatrical device has the very same meaning as what Hans Thies Lehmann calls the “Afformance theatre”, which succeeds in leading the audience into the ethical, political reality by way of amoral, asocial representations. Borrowing Lehmann’s term, I suggest that this ‘horrible’ racial play achieves not only the aesthetic success but at the same time the ethico-political success.

목차

I. 서론
II. 극중극 형식을 통해 본 『용비어천가』의 정치성
III. 연극기호학적 관점으로 본 『용비어천가』의 정치성
IV. 결론
인용문헌
Absract

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