지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This thesis is focused on comparing and studying the post-war works of the female writers Miyamoto Yuriko and Hayashi Humiko, who became active before the World War II and during wartime.
First, in the case of Miyamoto Yuriko, she expressed antagonism against state violence and the fascism of the pro-emperor throughout the wartime, and joined the writers" union, which was part of the Japanese proletariat, in 1930 when the war intensified. She led a hard life of being imprisoned, discharged, and banned from writing.
Hayashi Humiko, on the other hand, as a member of the wartime "pen battalion", cooperated actively, and she published numerous works catering to the state of affairs. What is interesting is that the new keyword “anti-war” is lumps together two female writers who came from such different backgrounds.
The limitations of both authors are clear. Humiko took on the role of cheerleader for the war faithfully, vividly showing the aftermath of defeated war and mental panic, while Yuriko, who was one of the few female writers who could be questioned for the post-war responsibility of the literati as a proletarian writer.
First, in the case of Miyamoto Yuriko, she expressed antagonism against state violence and the fascism of the pro-emperor throughout the wartime, and joined the writers" union, which was part of the Japanese proletariat, in 1930 when the war intensified. She led a hard life of being imprisoned, discharged, and banned from writing.
Hayashi Humiko, on the other hand, as a member of the wartime "pen battalion", cooperated actively, and she published numerous works catering to the state of affairs. What is interesting is that the new keyword “anti-war” is lumps together two female writers who came from such different backgrounds.
The limitations of both authors are clear. Humiko took on the role of cheerleader for the war faithfully, vividly showing the aftermath of defeated war and mental panic, while Yuriko, who was one of the few female writers who could be questioned for the post-war responsibility of the literati as a proletarian writer.
목차
서론
제1장 프롤레타리아 여성의 ‘패전’ -미야모토 유리코의『반슈평야』·『풍지초』
제2장 ‘제국’의 여성에서 ‘패전국’ 여성으로 - 하야시 후미코의 『철 늦은 국화』·『뜬구름』
결론
참고문헌
논문초록
참고문헌 (0)
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UCI(KEPA) : I410-ECN-0101-2015-910-002606217