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The purpose of this article is to examine the Chinese image materialized in the work of Voltaire’s “contes philosophiques”, who led passion for China in 18th century in France; it may be a work which investigates Voltaire’s opinion for China.
The Chinese image in Voltaire’s “contes philosophiques” is very utopian.
To Voltaire who lived whole life to break down intolerance, fanaticism and oppression, his own “contes philosophiques” must be understood by literary means for fighting against that things: intolerance, fanaticism and oppression. As it were, Voltaire’s “contes philosophiques” are aiming effective fulfillment of a literary subversive function in reality of the Ancien Regime, full of unreasonable convention and irrationality.
And among the functions, the Chinese image is placed importantly under requisition by author: China is justly as an antipode of France that is full of religious fanaticism, prejudice, and politico-social inconsistency, to admirers of China in that epoque including Voltaire. The Enlightenment thinkers and Sinophiles are fascinated by all about China like philosophy, political system, education system etc; also, they accepted China as a model of moral and political reorganization, as a mirror verifying inappropriateness of European philosophy and systems, as a tool to break self-conceit about Christian uniqueness.
In “contes philosophiques” Voltaire uses Chinese images to attack the Ancien Regime which interrupts seriously happiness of this world by fanaticism, prejudice, and intolerance.
The Chinese image in Voltaire’s “contes philosophiques” is very utopian.
To Voltaire who lived whole life to break down intolerance, fanaticism and oppression, his own “contes philosophiques” must be understood by literary means for fighting against that things: intolerance, fanaticism and oppression. As it were, Voltaire’s “contes philosophiques” are aiming effective fulfillment of a literary subversive function in reality of the Ancien Regime, full of unreasonable convention and irrationality.
And among the functions, the Chinese image is placed importantly under requisition by author: China is justly as an antipode of France that is full of religious fanaticism, prejudice, and politico-social inconsistency, to admirers of China in that epoque including Voltaire. The Enlightenment thinkers and Sinophiles are fascinated by all about China like philosophy, political system, education system etc; also, they accepted China as a model of moral and political reorganization, as a mirror verifying inappropriateness of European philosophy and systems, as a tool to break self-conceit about Christian uniqueness.
In “contes philosophiques” Voltaire uses Chinese images to attack the Ancien Regime which interrupts seriously happiness of this world by fanaticism, prejudice, and intolerance.
목차
I. 서론
II. 본론
III. 결론
Works Cited
Abstract
참고문헌 (24)
참고문헌 신청
1. [학술대회논문] - Armogathe, Jean-Robert / 1976 / Voltaire et la Chine: une mise au point / Actes du colloque international de sinologie. La mission française de Pékin aux XVIIème et XVIIIème siècles, sept. 1974
2. [단행본] - Clarke, J. / 1997 / Oriental Enlightment: The Encounter between Asian and Western thought / Routledge
3. [단행본] - Guy, Basil / 1963 / The French Image of China before and after Voltaire (Studies on Voltaire and the Eighteenth Century) / Institut et Musée Voltaire
4. [단행본] - 김중현 / 2012 / 프랑스문학과 오리엔탈리즘 / 아모르문디
5. [학술지(정기간행물)] - 김중현 / 2013 / 피에르 로티와 중국: 로티의 중국에 대한 이국취미를 중심으로 / 동서비교문학저널 (28) : 97 ~ 115
2. [단행본] - Clarke, J. / 1997 / Oriental Enlightment: The Encounter between Asian and Western thought / Routledge
3. [단행본] - Guy, Basil / 1963 / The French Image of China before and after Voltaire (Studies on Voltaire and the Eighteenth Century) / Institut et Musée Voltaire
4. [단행본] - 김중현 / 2012 / 프랑스문학과 오리엔탈리즘 / 아모르문디
5. [학술지(정기간행물)] - 김중현 / 2013 / 피에르 로티와 중국: 로티의 중국에 대한 이국취미를 중심으로 / 동서비교문학저널 (28) : 97 ~ 115
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