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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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This paper aims to provide a comprehensive investigation on the recognition of nature in the ‘Nature Trilogy’ (‘Seizan Hakuun’, ‘Shizen to Jinsei’ and ‘Seirosyu’) from the early works of the Meiji Period writer Roka Tokutomi. He is one of the exceptionally rare Christian authors in modern Japanese literature who also had good English reading comprehension and a broad knowledge of English literature. This explains why his works often contain quotations of distinguished Western writers including Emerson, Carlyle, Wordsworth, Shakespeare, and Tolstoy. Roka’s nature recognition was found to have something in common with a pantheistic view of nature in Emerson’s essays and Wordsworth’s poems, which is also one of the major characteristics of Japanese ideology. Humans standing in awe of Mother Nature were connected to humility or repentance and a look at the nameless common people with a warm heart. Although he learned natural observation from the Western painting technique of sketching, Roka’s written description of a landscape got more praise from readers than his sketches did,; it thus established itself as the norm to describe a natural setting.
목차
序論
第一章『?山白雲』─「序」と「漁師の娘」
第二章『自然と人生』─「自然に?する五分時」と「湘南?筆」
第三章『?蘆集』─「吾初?なる自然」
結論
?考文?
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