지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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Wassily Kandinsky (1866-1944), one of the pioneer abstractionists, is known as a logical theorist. In a closer reading of his masterpiece Concerning the Spiritual in Art (1912), there is a keyword “triangle” that is discovered repeatedly. In other words, “triangle” refers to “spirituality”, this “spiritual triangle” is moving forward, and this movement is in process in apocalyptic mood.
This study focused on the triangle of Kandinsky and reviewed Christianity, theosophy, Russian Orthodox Church and Russian symbolism, the ideological backgrounds of the triangle theory. The triangles found in study paintings by Kandinsky (about 1910) have spiritual meanings like the sacred mountain being come upon the Holy Spirit in ‘the Last Supper’(1910). Kandinsky particularly emphasizes the movement of triangle that goes forward, which becomes a motif of a castle city upon the mountain hill and a knight on horse in his apocalyptic paintings(1911-1914). In short, the castle on the mountain that was depicted as the Moscow Kremlin refers to the spirituality that will be introduced in a new era of the city of heaven, Jerusalem. Like the triangle moving forward towards the top, the knight on horse is running briskly to the castle or the tall-standing tower on the mountain as a prophet who delivers spirituality.
In the works by Kandinsky in his transition period towards abstract, the triangle has a very significant meaning, which is reconfirmed in Retrospect (1924) in Bauhaus time when he reached to the pure geometric abstraction. The painting reminds of ‘Small Pleasures’(1913), as it positions a mountain within a black line border at the center of the canvas and geometric patterns of triangles and round towers straight up on the mountain. The spiritual triangle pursued by Kandinsky in Retrospect that he drew literally as he looked back on his past is rising high up to the area of the heaven.
This study focused on the triangle of Kandinsky and reviewed Christianity, theosophy, Russian Orthodox Church and Russian symbolism, the ideological backgrounds of the triangle theory. The triangles found in study paintings by Kandinsky (about 1910) have spiritual meanings like the sacred mountain being come upon the Holy Spirit in ‘the Last Supper’(1910). Kandinsky particularly emphasizes the movement of triangle that goes forward, which becomes a motif of a castle city upon the mountain hill and a knight on horse in his apocalyptic paintings(1911-1914). In short, the castle on the mountain that was depicted as the Moscow Kremlin refers to the spirituality that will be introduced in a new era of the city of heaven, Jerusalem. Like the triangle moving forward towards the top, the knight on horse is running briskly to the castle or the tall-standing tower on the mountain as a prophet who delivers spirituality.
In the works by Kandinsky in his transition period towards abstract, the triangle has a very significant meaning, which is reconfirmed in Retrospect (1924) in Bauhaus time when he reached to the pure geometric abstraction. The painting reminds of ‘Small Pleasures’(1913), as it positions a mountain within a black line border at the center of the canvas and geometric patterns of triangles and round towers straight up on the mountain. The spiritual triangle pursued by Kandinsky in Retrospect that he drew literally as he looked back on his past is rising high up to the area of the heaven.
목차
Ⅰ. 들어가는 말
Ⅱ. 위대한 정신의 시대
Ⅲ. 정신적인 삼각형
Ⅳ. 전진하는 삼각형
Ⅴ. 나오는 말
참고문헌
Abstract
참고문헌 (26)
참고문헌 신청
1. [단행본] - 루돌프 슈타이너 / 2001 / 신지학 / 물병자리
2. [단행본] - 바실리 칸딘스키 / 2007 / 청기사 / 열화당
3. [학술지(정기간행물)] - 윤희경 / 2012 / 칸딘스키 미술에서 정신의 종교적 의미와 그 재현의 미학 / 미술사와 시각문화 (11) : 80 ~ 105
4. [단행본] - 김보라 / 2007 / 바실리 칸딘스키 : 1866~1944 : 회화의 혁명 / 마로니에북스
5. [단행본] - Blavatsky, Helena / 1907 / Der Schlüssel zur Theosophie / Altmann
2. [단행본] - 바실리 칸딘스키 / 2007 / 청기사 / 열화당
3. [학술지(정기간행물)] - 윤희경 / 2012 / 칸딘스키 미술에서 정신의 종교적 의미와 그 재현의 미학 / 미술사와 시각문화 (11) : 80 ~ 105
4. [단행본] - 김보라 / 2007 / 바실리 칸딘스키 : 1866~1944 : 회화의 혁명 / 마로니에북스
5. [단행본] - Blavatsky, Helena / 1907 / Der Schlüssel zur Theosophie / Altmann
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