지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
It is possible to figure out indirectly how a director has used the cameras through the images shown in a film. This study which is related to the camera is begun as a reinterpretation of Lasswell’s Communication Model (5W) : Who / Say What / In Which Channel / To Whom / With What Effect. We try to answer this key question : “How does the director expresses his intention to the spectators through the camera?”
We define the films that have the following characteristics as the film sur le film, film on film in English: a fiction film, a film directed by the ‘auteur’, treatment of the process of the film production, presentation of the film dans le film, film in film in English, and the existence of director’s reflexive character. To respond the key question, we analyze 8 ½ (1963) by Federico Fellini which is his first film sur le film.
8 ½ has one of the most complex narratives in the film history. Christian Metz named it as a ‘twice double layered film.’ In particular, interpretations on the last sequence of the film which is really very stubborn in its decomposition, are still divided. The most controversial point is whether Guido directed the film or pretended to shoot it. Although many scholars have tried to unveil the secrets of this sequence, still there was no clear interpretation in the past 60 years. For example Metz said, “8 ½, we do not even see Guido was shooting this film…” However, We don’t agree to his contention.
Our hypothesis as follows: “If we found some cameras taking the shot and the shot filmed by them, then we would finally have validated Guido’s action as the direction of the film.” To prove this hypothesis, we introduce another notion, film dans le film : a part of film sur le film, its independent narrative, the exposure of the scene of production or of projection, the existence of filming camera, etc.
After all possible checks, we propose a redefinition of the narrative structure of 8 ½. With this study we want to suggest a new method of film analysis to approach the director’s intention.
We define the films that have the following characteristics as the film sur le film, film on film in English: a fiction film, a film directed by the ‘auteur’, treatment of the process of the film production, presentation of the film dans le film, film in film in English, and the existence of director’s reflexive character. To respond the key question, we analyze 8 ½ (1963) by Federico Fellini which is his first film sur le film.
8 ½ has one of the most complex narratives in the film history. Christian Metz named it as a ‘twice double layered film.’ In particular, interpretations on the last sequence of the film which is really very stubborn in its decomposition, are still divided. The most controversial point is whether Guido directed the film or pretended to shoot it. Although many scholars have tried to unveil the secrets of this sequence, still there was no clear interpretation in the past 60 years. For example Metz said, “8 ½, we do not even see Guido was shooting this film…” However, We don’t agree to his contention.
Our hypothesis as follows: “If we found some cameras taking the shot and the shot filmed by them, then we would finally have validated Guido’s action as the direction of the film.” To prove this hypothesis, we introduce another notion, film dans le film : a part of film sur le film, its independent narrative, the exposure of the scene of production or of projection, the existence of filming camera, etc.
After all possible checks, we propose a redefinition of the narrative structure of 8 ½. With this study we want to suggest a new method of film analysis to approach the director’s intention.
목차
1. 서론
2. 〈8½〉의 내러티브구조
3. 새로운 개념의 도입 : 영화에 대한 영화/영화 속 영화
4. 마지막 시퀀스 분석 : 쇼트 768-773
5. 내러티브 구조의 재구성
6. 결론
참고문헌
Abstract
참고문헌 (39)
참고문헌 신청
1. [단행본] - FELLINI Federico / 1996 / 8 ½ Scénario bilingue / Editions du seuil
2. [단행본] - FELLINI Federico / 1980 / Propos / Editions Buchet/Chastel
3. [단행본] - AFFRON Charles / 1987 / 8 ½ Federico Fellini, director / Rutgers University Press
4. [단행본] - BONDANELLA Peter / 1992 / The Cinema of Federico Fellini / Princeton University Press
5. [단행본] - BORIN Fabrizio / 1999 / Federico Fellini / Gremese
2. [단행본] - FELLINI Federico / 1980 / Propos / Editions Buchet/Chastel
3. [단행본] - AFFRON Charles / 1987 / 8 ½ Federico Fellini, director / Rutgers University Press
4. [단행본] - BONDANELLA Peter / 1992 / The Cinema of Federico Fellini / Princeton University Press
5. [단행본] - BORIN Fabrizio / 1999 / Federico Fellini / Gremese
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UCI(KEPA) : I410-ECN-0101-2015-688-001343303