지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2013.12
- 수록면
- 113 - 128 (16page)
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초록· 키워드
오류제보하기
Those records indicate that Jik-geum Hyoong-bae fabric was imported from China and its period was during the fourteen and fifteen century.
Gold threads used in three Jik-geum Hyoong-bae artifacts were all wrapped gold thread and gold thread of Danryeong from Young-dukdong, Yong-in, did not have a base, but instead the gold foil itself was attached to the silk cord. Such form of artifact had never been discovered before in Korea. Wrapped gold thread of Seoknamdong’s basis was presumably bamboo paper.
Three Jik-geum Hyoong-bae have the same weave structure. The ground is woven in a warp-faced 5-end satin weave. The pattern is brocaded with supplementary gold wefts. Supplementary gold wefts are composed of 1/4 twill binding by the odd number pairs of warps within every group of 10 pairs of warps.
All of the Jik-geum Hyoong-bae t extile w ere designed a nd weav ed a ccording to t he overlapped collared costume’s structure. This is also known as ‘Jik-seong-pil-ryo’. One symmetric collared jacket excavated in Seok-namdong, Incheon, only has the right half of Hyoong-bae in the front. This is because symmetric collared jacket was made from overlapped collared costume.
Tiger and peacock are the main patterns of Jik-geum Hyoong-bae which have realistic and free screen composition and this shows a huge difference to the later generation’s standardized Hyoong-bae pattern.
Gold threads used in three Jik-geum Hyoong-bae artifacts were all wrapped gold thread and gold thread of Danryeong from Young-dukdong, Yong-in, did not have a base, but instead the gold foil itself was attached to the silk cord. Such form of artifact had never been discovered before in Korea. Wrapped gold thread of Seoknamdong’s basis was presumably bamboo paper.
Three Jik-geum Hyoong-bae have the same weave structure. The ground is woven in a warp-faced 5-end satin weave. The pattern is brocaded with supplementary gold wefts. Supplementary gold wefts are composed of 1/4 twill binding by the odd number pairs of warps within every group of 10 pairs of warps.
All of the Jik-geum Hyoong-bae t extile w ere designed a nd weav ed a ccording to t he overlapped collared costume’s structure. This is also known as ‘Jik-seong-pil-ryo’. One symmetric collared jacket excavated in Seok-namdong, Incheon, only has the right half of Hyoong-bae in the front. This is because symmetric collared jacket was made from overlapped collared costume.
Tiger and peacock are the main patterns of Jik-geum Hyoong-bae which have realistic and free screen composition and this shows a huge difference to the later generation’s standardized Hyoong-bae pattern.
목차
Abstract
Ⅰ. 서론
Ⅱ. 문헌에 나타난 직금흉배의 형태와 직물특징
Ⅲ. 한국과 중국의 직금흉배유물 출토현황
Ⅳ. 직금흉배 유물의 제직특성 및 직조설계
Ⅴ. 직금흉배의 문양
Ⅵ. 결론
참고문헌
참고문헌 (34)
참고문헌 신청
1. [학위논문] - 김서연 / 2000 / 흉배에 표현된 자수 기법 연구 / 석사 / 동덕여자대학교 대학원
2. [학위논문] - 김숙영 / 1986 / 조선왕조 흉배에 나타난 문양의 조형성 분석 / 석사 / 梨花女子大學校 産業美術大學院
3. [학위논문] - 김연미 / 2012 / 조선시대 자수 흉배 연구 : 출토 유물을 중심으로 / 석사 / 단국대학교 대학원
4. [학술지(정기간행물)] - 김영재 / 2000 / 중국과 우리나라 흉배에 관한 고찰 / 한복문화 3 (3) : 45 ~ 54
5. [학위논문] - 노수정 / 2008 / 임백령묘 출토 직금흉배 보존처리에 관한 연구 / 석사 / 단국대학교 대학원
2. [학위논문] - 김숙영 / 1986 / 조선왕조 흉배에 나타난 문양의 조형성 분석 / 석사 / 梨花女子大學校 産業美術大學院
3. [학위논문] - 김연미 / 2012 / 조선시대 자수 흉배 연구 : 출토 유물을 중심으로 / 석사 / 단국대학교 대학원
4. [학술지(정기간행물)] - 김영재 / 2000 / 중국과 우리나라 흉배에 관한 고찰 / 한복문화 3 (3) : 45 ~ 54
5. [학위논문] - 노수정 / 2008 / 임백령묘 출토 직금흉배 보존처리에 관한 연구 / 석사 / 단국대학교 대학원
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UCI(KEPA) : I410-ECN-0101-2015-590-001372134