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논문 기본 정보

자료유형
학술저널
저자정보
김월계 (성균관대학교)
저널정보
아시아민족조형학회 아시아민족조형학보 아시아民族造形學報 通卷 第12輯
발행연도
2013.12
수록면
63 - 81 (19page)

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초록· 키워드

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This study compares the costume of costume and drawing Pungsokhwa and Ukiyoe"s famous painter"s portrait of a beauty to better understand the costume of the period and find out the aesthetic consciousness through Korea and Japan"s painting and standard of the beauty from the painting. Pungsokhwa and Ukiyoe have a similarity that the main focus has been changed to the commoner and their target of drawing was the life of commoners such as working and Ginyu, Geisha, actress started to come out. The characteristic of Joseon women costume in 18th century was the silhouette of short and tight top and long exaggerated skirt which was different from the past. For Japan it was the period that kosode has become the most basic costume. The costume that appear in Pungsokhwa and Ukiyoe were same as the costume at that period. Joseon"s portrait of a beauty has a neat image by drawing semicircle eyebrows and eyes, small nose, small and thick lips and plump face. Japan"s portrait of a beauty is unique because of upward eyes and eyebrows, aloft nose and thin lips and strong lines. This study hopes that future study compares and make people to understand the culture of Korea and Japan by furthering the topic to the drawings of commoner women and landscape painting.

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Abstract
Ⅰ. 서론
Ⅱ. 풍속화와 우키요에의 이론적 고찰
Ⅲ. 미인도에 나타난 복식과 당시대 복식 및 미인상 비교
Ⅳ. 결론
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UCI(KEPA) : I410-ECN-0101-2015-600-001381016