지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
오류제보하기
In the play Iphigenie in Tauris, the lead actress Iphigenie gives smoothly the relationship of the symbol of enlightenment (Orestes) to the symbol of nature (Thoas). While the conflict is during the course of the piece in the top, but you can not feel brutality, such as in other tragedies. At the end the Greeks return including Iphigenia and Orestes back to the home country. Thus shines the tolerance of Thoas, king of the barbarians also. Therefore, this piece can be called as a spirit of classical reconciliation and harmony.
Moreover, even the rules of the three units apply since the French classicism. The time of the play ends in 24 hours, the room remains the grove in front of Diana"s temple. Goethe must have followed the rules.
But the piece seems since 20 Century to lose his identity. The ideality of the classical work is reinterpreted as the lack of understanding about the current reality and escape from the cruel reality. Goethe"s work stayed a model for a good work, but it is broken down defenseless in the responsibility on the Holocaust.
Many discourses to classical works ask about the definition of the great and general literature or art. The so called classical work should contain the challenge of history, although it is content and formal model.
Moreover, even the rules of the three units apply since the French classicism. The time of the play ends in 24 hours, the room remains the grove in front of Diana"s temple. Goethe must have followed the rules.
But the piece seems since 20 Century to lose his identity. The ideality of the classical work is reinterpreted as the lack of understanding about the current reality and escape from the cruel reality. Goethe"s work stayed a model for a good work, but it is broken down defenseless in the responsibility on the Holocaust.
Many discourses to classical works ask about the definition of the great and general literature or art. The so called classical work should contain the challenge of history, although it is content and formal model.
목차
1. 서론
2. 전체(全體) 지향
3. 형식의 문제
4. 반(反)고전주의적 담론들
5. 결론
참고문헌
Abstract
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