지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.2
- 수록면
- 215 - 236 (22page)
- DOI
- 10.16901/jawah.2014.02.40.215
이용수
초록· 키워드
오류제보하기
This paper has examined the relationship between Rembrandt and the Mennonites in the seventeenth century and has explored the Mennonite characteristics represented in Rembrandt’s work. In the 1630s and 1640s, Rembrandt was commissioned by Mennonite patrons and surrounded by Mennonite contacts and influences. In particular, the Mennonite art dealer Hendrick Uylenburgh, a cousin of Rembrandt"s wife, Saskia, played an intermediary role between Rembrandt and the Mennonites. Above all, the iconological nuances of Rembrandt’s portraits, and his choice of themes, suggest that Rembrandt had a sound understanding of Mennonite doctrinal and social ideals.
Rembrandt’s portraits of Waterlander celebrities and Biblical subjects reflect Mennonite ideals and beliefs. Moreover, his drawings and etchings depicting martyrs could be seen as concerning the Mennonite executions of 1535. In terms of mood and composition, those images are in accordance with illustrations in Mennonite martyrologies published at that time.
On the other hand, Rembrandt’s Mennonite portraits and The Sampling Officials of the Drapers’ Guild (1662) have distinct significance in any discussion of the characteristics of the Mennonites. These works show the group’s prosperity and assimilation into Dutch society. The minority position of not having equal, political or religious rights made the Mennonites try to achieve equality at least in the economic domain.
Through Rembrandt’s works concerning the Mennonites of the time, we can see the dual aspects of Waterlander Mennonites in the seventeenth century. On the one hand, Waterlanders sought advancement and assimilation into wealthy elite society, and on the other hand, they identified themselves as martyrs by publishing several martyrologies. The Mennonites’ doubleconsciousness of being both martyrs and middle-class people is strongly reflected in Rembrandt’s works.
Rembrandt’s portraits of Waterlander celebrities and Biblical subjects reflect Mennonite ideals and beliefs. Moreover, his drawings and etchings depicting martyrs could be seen as concerning the Mennonite executions of 1535. In terms of mood and composition, those images are in accordance with illustrations in Mennonite martyrologies published at that time.
On the other hand, Rembrandt’s Mennonite portraits and The Sampling Officials of the Drapers’ Guild (1662) have distinct significance in any discussion of the characteristics of the Mennonites. These works show the group’s prosperity and assimilation into Dutch society. The minority position of not having equal, political or religious rights made the Mennonites try to achieve equality at least in the economic domain.
Through Rembrandt’s works concerning the Mennonites of the time, we can see the dual aspects of Waterlander Mennonites in the seventeenth century. On the one hand, Waterlanders sought advancement and assimilation into wealthy elite society, and on the other hand, they identified themselves as martyrs by publishing several martyrologies. The Mennonites’ doubleconsciousness of being both martyrs and middle-class people is strongly reflected in Rembrandt’s works.
목차
Ⅰ. 머리말
Ⅱ. 렘브란트의 메노파 주제
Ⅲ. 렘브란트 작품에 나타난 메노파 교도들의 정체성
Ⅳ. 맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2015-600-001263126