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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The modern age has provided human society with new environments of various forms, which have arisen from the integration of space and technology. The machine civilization, including construction technology, brought with it unfamiliar spaces that newly defined human life. From the start, cinema served as an effective medium for reflecting such spatial changes. Whereas large cities were the main motif of movies during the early 20<SUP>th</SUP> century, screens in the 21<SUP>st</SUP> century have been filled with images of metropolises and the intricate networks formed by cities around the world. Thus, films have moved beyond their original function of displaying certain spaces now they seek ways to express spatial composition methods and show people traversing various places, which in turn form a network.
This study attempted to understand space from a new perspective by examining film representations of voluntary immigrants and active nomads in the global age. To interpret space, this study analyzed several films set in the metropolis of Paris. This study focused on how large cities, as spaces of diaspora, are built of different spaces and the communication that is generated in the process of connecting them. In this case, the diaspora is not limited to humans. ‘Technological diaspora’ already is evident in the movies of the present day, as films become integrated with other media and as computers and cell phones function as movie screens. Nevertheless, although technology may seem at times to have supplanted movie screens, theaters have a classical charm that still attracts customers. Like Paris, cinema is an assembly place for numerous technological diaspora although the marks of media technology remain intact, movies still harbor the past and arouse memories of cinema’s birthplace. This can be seen through the project “The Invisible Shape of Things Past”(1995-2007). The process of remembering the birthplace of cinema is not merely a ‘social movement’ rather, it should be understood as a concept that incorporates ‘communication, media and means of transportation.’
This study attempted to understand space from a new perspective by examining film representations of voluntary immigrants and active nomads in the global age. To interpret space, this study analyzed several films set in the metropolis of Paris. This study focused on how large cities, as spaces of diaspora, are built of different spaces and the communication that is generated in the process of connecting them. In this case, the diaspora is not limited to humans. ‘Technological diaspora’ already is evident in the movies of the present day, as films become integrated with other media and as computers and cell phones function as movie screens. Nevertheless, although technology may seem at times to have supplanted movie screens, theaters have a classical charm that still attracts customers. Like Paris, cinema is an assembly place for numerous technological diaspora although the marks of media technology remain intact, movies still harbor the past and arouse memories of cinema’s birthplace. This can be seen through the project “The Invisible Shape of Things Past”(1995-2007). The process of remembering the birthplace of cinema is not merely a ‘social movement’ rather, it should be understood as a concept that incorporates ‘communication, media and means of transportation.’
목차
1. 들어가는 말: 영화의 대도시 서술
2. 대도시의 디아스포라와 영화적 재현: 공간의 서술과 재배치
3. 디아스포라 공간으로서 영화 스크린
4. 맺음말
참고문헌
Abstract
참고문헌 (14)
참고문헌 신청
1. [단행본] - 구동회 / 2008 / [단행본] 포스트 모더니티의 조건 / 한울
2. [학술지(정기간행물)] - 김영순 / 2008 / 공간 텍스트로서 ‘도시’의 스토리텔링 과정 연구 / 텍스트언어학 24 (0) : 167 ~ 192
3. [학술지(정기간행물)] - 배정희 / 2008 / ‘텍스트’에서 ‘상호작용과 교섭의 공간’으로 － 문화개념의 변화와 그 함의 / 독일어문화권연구 (17) : 325 ~ 350
4. [단행본] - 에드워드 사이드 / 2008 / 저항의 인문학: 인문주의와 민주적 비판 / 마티
5. [학술지(정기간행물)] - 송미선 / 2008 / 2000년대 영화의 장소 기반 서사 <사랑해, 파리> / 문학과 영상 9 (1) : 111 ~ 130
2. [학술지(정기간행물)] - 김영순 / 2008 / 공간 텍스트로서 ‘도시’의 스토리텔링 과정 연구 / 텍스트언어학 24 (0) : 167 ~ 192
3. [학술지(정기간행물)] - 배정희 / 2008 / ‘텍스트’에서 ‘상호작용과 교섭의 공간’으로 － 문화개념의 변화와 그 함의 / 독일어문화권연구 (17) : 325 ~ 350
4. [단행본] - 에드워드 사이드 / 2008 / 저항의 인문학: 인문주의와 민주적 비판 / 마티
5. [학술지(정기간행물)] - 송미선 / 2008 / 2000년대 영화의 장소 기반 서사 <사랑해, 파리> / 문학과 영상 9 (1) : 111 ~ 130
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UCI(KEPA) : I410-ECN-0101-2015-688-000998046