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자료유형
학술저널
저자정보
정미란 (경상대학교)
저널정보
중앙어문학회 어문론집 語文論集 第55輯
발행연도
2013.9
수록면
347 - 373 (27page)

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초록· 키워드

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『Our Country’s Sinseon & Seonnyeo Tales』 Volumes 1~5 of Seo Jeongju are collection which adapted traditional fairy tales from fables of our country. Traditional fairy tales of Seo Jeongju have much transformation if compared to original form of fables.
As appeared in titles of the collection, transformation of leading characters to Sinseon and Seonnyeo is especially remarkable. Differently from the function which figures and space had in fables, such transformed figures and Sinseon world became the object of praise through aestheticization. In addition, due to change in narration, not only origin of nature and things which used to be deconstruction of discourse but also sacredness which handled communion and severance became weakened and commonplace.
Fact that adaption in fables and traditional fairy tales was widely made means that the writer’s consciousness was strongly reflected in the process of remaking. Seo Jeongju tried to convey ‘Sinseon and Seonnyeo tales’ through traditional fairy tales of 『Our Country’s Sinseon & Seonnyeo Tales』. Representative image of ‘Sinseon and Seonnyeo’ is directly linked to ‘eternity’ which is found in his poem world. The poem consciousness of ‘eternity’ is materialized as prose in traditional fairy tales, where longing for Sjnseon world in order to get a life of Sinseon by transcending the limit of a personal life, and denying consciousness on human being as well as self-denying consciousness act as impetus of imagination. In the meantime, children and women who appeared in traditional fairy tales of Seo Jeongju were those who could communicate with Sinseon world. To overcome the limit of human being and to reach transcendental world through them were realization of ‘eternity’ which he desired so much. Thus, Seo Jeongju shifted his own desire for transcendence of reality to children through traditional fairy tales.

목차

1. 머리말
2. 원형과 변용의 거리
3.『우리나라 신선 선녀 이야기』에 나타난 작가의식
4. 마무리
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