지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Satirical novels are generally characterized by clear intention and allegories employed within the texts. When working on satirical pieces, authors tend to assume that their expected audiences or readers should recognize allegorical objects used in the fictional world are directly associated with things of the real world. This is the very premise for satirical novels to be read properly. However, the assumption can apply only to the audiences of novels produced in the original culture who share the same spatial and temporal context with the authors.
This study is based on the aforementioned unique characteristics of satirical novels. The authors of the original can not expect that the very assumptions required for a certain satire to be read properly can also apply to the audience in the target culture. That is because different time and space factors are at work between the authors and their audiences. Taking these disparities into account, this study attempts to demonstrate that various forms of paratexts in translation can make up for the inapplicability of the aforementioned premise caused by these differences, thus mediating between the author in the orignal culture and the reader in the target culture or the fictional world and the real world. To that end, this study examines how paratexts are utilized in translated satirical novels by analyzing their forms and characteristics in translated versions of two typical satirical novels: Jonathan Swift"s Gulliver"s Travels and George Orwell"s Animal Farm.
This study is based on the aforementioned unique characteristics of satirical novels. The authors of the original can not expect that the very assumptions required for a certain satire to be read properly can also apply to the audience in the target culture. That is because different time and space factors are at work between the authors and their audiences. Taking these disparities into account, this study attempts to demonstrate that various forms of paratexts in translation can make up for the inapplicability of the aforementioned premise caused by these differences, thus mediating between the author in the orignal culture and the reader in the target culture or the fictional world and the real world. To that end, this study examines how paratexts are utilized in translated satirical novels by analyzing their forms and characteristics in translated versions of two typical satirical novels: Jonathan Swift"s Gulliver"s Travels and George Orwell"s Animal Farm.
목차
1. 서론
2. 이론적 배경
3. 분석대상 및 분석방법
4. 분석 결과
5. 결론 및 논의
참고문헌
[Abstract]
참고문헌 (1)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
『걸리버 여행기』: 상식과 이성의 정치
강형
신영어영문학
1999
.02
번역문의 곁텍스트 : 주변텍스트와 바깥텍스트에 대한 정의
박선희
번역학연구
2015
.03
『동물농장(Animal Farm)』번역본 비교 : 오웰의 문체 특성과 번역전략의 관점에서
김순영
,
박소영
번역학연구
2014
.12
번역본에서의 곁텍스트의 위상 : 『마담 보바리』의 번역본을 중심으로
지영래
,
박선희
번역학연구
2010
.09
Jakobson’s Translation Typology Revisited : Situated Cognition and Its Translative Nature
Dhonghui Lim
번역학연구
2014
.09
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-700-002874977