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This essay is a kind of introduction to the role of the dramaturg in a British context. Compared with Europe continental countries including Germany, England had a hard time in implanting and developing the system of the dramaturg because of the specific circumstances of the theater of England. This essay first explores the circumstances of the English theater in relation to the dramaturg and in turn proves the dramaturg’s role which has been developing in England.
In the first place, this essay explains the inflow of the foreign term ‘dramaturg’ into England, where ‘literary manager’ is used as an English term equivalent to the term, ‘dramaturg.’ It can account for the reason why the confusion between the terms ‘dramaturg’ and ‘literary manager’ often occurs in England. The next focus is upon the history of the English theater in order to argues that there was a continual need of the dramaturg in the theater of England. As an example of the argument, the ‘Blue Book’ of Baker and Archer is taken because it clearly states the demand of the role of the dramaturg.
In the next place, the practice of the dramaturg in England after 1960s is described. Kenneth Tynan is introduced as the first official dramaturg in England. Finally, this essay points out that the need of new plays with the grand of state subsidies had a positive influence upon the development of the dramaturg.
In conclusion, this essay claims that the role of the dramaturg in England assums developing aspects even though there are still unsolved problems to form a condition where the system of the dramaturg can desirably be executed.
In the first place, this essay explains the inflow of the foreign term ‘dramaturg’ into England, where ‘literary manager’ is used as an English term equivalent to the term, ‘dramaturg.’ It can account for the reason why the confusion between the terms ‘dramaturg’ and ‘literary manager’ often occurs in England. The next focus is upon the history of the English theater in order to argues that there was a continual need of the dramaturg in the theater of England. As an example of the argument, the ‘Blue Book’ of Baker and Archer is taken because it clearly states the demand of the role of the dramaturg.
In the next place, the practice of the dramaturg in England after 1960s is described. Kenneth Tynan is introduced as the first official dramaturg in England. Finally, this essay points out that the need of new plays with the grand of state subsidies had a positive influence upon the development of the dramaturg.
In conclusion, this essay claims that the role of the dramaturg in England assums developing aspects even though there are still unsolved problems to form a condition where the system of the dramaturg can desirably be executed.
목차
Ⅰ. 서론
Ⅱ. 드라마터그 또는 리터러리 매니저
Ⅲ. 드라마터그의 영국 연극계 이식과정
Ⅳ. 1960년대 이후 드라마터그 양상
Ⅴ. 결론
인용 문헌
Abstract
참고문헌 (16)
참고문헌 신청
1. [학술지(정기간행물)] - 김미희 / 1999 / 드라마터지 교육, 어떻게 시작할 것인가 / 연극의 이론과 비평 (창간준비)
2. [학술지(정기간행물)] - 김미희 / 2001 / 드라마터지 역할 연구: 유럽의 드라마터그를 중심으로 / 논문집 : 89 ~ 118
3. [학술지(정기간행물)] - 허순자 / / 독일 및 영・미연극에서의 드라마투르기 발전 / 연극교육연구 12
4. [단행본] - Beacham, Richard / 1995 / Literary Management at the National Theatre, London: An Interview with John Russell Brown, In What is Dramaturgy? / Peter Lang : 213 ~ 220
5. [단행본] - Brockett, Oscar G. / 2004 / The Essential Theatre / Harcourt Brace
2. [학술지(정기간행물)] - 김미희 / 2001 / 드라마터지 역할 연구: 유럽의 드라마터그를 중심으로 / 논문집 : 89 ~ 118
3. [학술지(정기간행물)] - 허순자 / / 독일 및 영・미연극에서의 드라마투르기 발전 / 연극교육연구 12
4. [단행본] - Beacham, Richard / 1995 / Literary Management at the National Theatre, London: An Interview with John Russell Brown, In What is Dramaturgy? / Peter Lang : 213 ~ 220
5. [단행본] - Brockett, Oscar G. / 2004 / The Essential Theatre / Harcourt Brace
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