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자료유형
학술저널
저자정보
윤영도 (성공회대학교)
저널정보
한국중어중문학회 중어중문학 中語中文學 第54輯
발행연도
2013.4
수록면
331 - 353 (23page)

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This paper explores the cultural sociological context and the meaning of the so-called ‘Wong Fei Hung phenomenon’ in Hong Kong and East Asia, especially focusing on the film series of Wong Fei Hung(Huang Fei-hong, 黃飛鴻) directed by Hu Feng in 1950’s. After the publication of Wong Fei Hung’s fictional biography written by Zhu Yu-zhai(朱愚齋) at mid-1930’s, Wong Fei Hung’s story was (re)produced and circulated by many writers and movie directors, and was consumed and loved by Cantonese people in Hong Kong and East Asia until 1970’s. Because he was a master of the southern martial art, especially Cantonese martial art ‘Hong Quan(洪拳)’, and also a hero who protect and take care of the poor and vulnerable Cantonese people from rascals. But after about 20 years downturn, Wong Fei Hung was resummoned as a Pan Chinese hero against Western colonialist by director Tsui Hark(徐克) in 1990’s.
This phenomenon was related to the cultural politics of Cantonese people who had moved from mainland to Hong Kong, or from Hong Kong to South East Asia. In other words, it was a product of the interaction and the articulation between Cantonese people and the over-determined cultural sociological context in each period.

목차

1. 들어가며: 홍콩 영화사와 황비홍
2. 황비홍 현상의 기원 :『황비홍별전』과 광동 무술영웅 황비홍의 탄생
3. 전후 홍콩 사회와 영화계
4. 1950년대 호붕(胡鵬) 판 〈황비홍〉의 성쇠
5. 나가며 : 중화영웅으로의 재탄생
【參考文獻】
【Abstract】

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UCI(KEPA) : I410-ECN-0101-2014-800-003580491