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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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While many novels are mixed with memories, especially important are ‘memories’ in Lee Byeong-ju’s novels. Most of his novels have memories as their root, which work as core key words in the reconstruction of history, for Lee perceived and had insight about history through his experiences while he was in hardship at every historical moment.
Having been through the ordeal of the times with his body, Lee recalls his memories of historical experiences into his novels to show a gap between his private memories based on arche-experiences and official history conventionalized by the collective memories. Furthermore, by placing certain figures hidden between lines of history in the center of narratives, he give shape to historical facts which are forgotten by the official history. As such, Lee’s ‘awareness of history,’ with which he tries to recover the eliminated and abandoned history through the dialectic of memory and forgetfulness, appears in the relationship among the explication of the past, the present, and the vision of the future, explores the positive meaning of the reality it has, and is the basis for recording the contemporary history.
Consequently, this article tries to examine the aspects of the depiction of history about the colonial period with focus on Lee Byeong-ju’s novels Gwanbu Ferry and Excusesby integrating history into tile great frame of memories. In addition, it should be noted that the two novels Gwanbu Ferry and Excuses have been selected as subject texts because it is believed that they intensively deal with the colonial period compared with other novels that have historical facts as their subject materials.
Having been through the ordeal of the times with his body, Lee recalls his memories of historical experiences into his novels to show a gap between his private memories based on arche-experiences and official history conventionalized by the collective memories. Furthermore, by placing certain figures hidden between lines of history in the center of narratives, he give shape to historical facts which are forgotten by the official history. As such, Lee’s ‘awareness of history,’ with which he tries to recover the eliminated and abandoned history through the dialectic of memory and forgetfulness, appears in the relationship among the explication of the past, the present, and the vision of the future, explores the positive meaning of the reality it has, and is the basis for recording the contemporary history.
Consequently, this article tries to examine the aspects of the depiction of history about the colonial period with focus on Lee Byeong-ju’s novels Gwanbu Ferry and Excusesby integrating history into tile great frame of memories. In addition, it should be noted that the two novels Gwanbu Ferry and Excuses have been selected as subject texts because it is believed that they intensively deal with the colonial period compared with other novels that have historical facts as their subject materials.
목차
1. 이병주 소설과 기억
2. 기록과 사물의 기억을 통한 망각의 복원
3. 망자추모와 애도, 역사 다시쓰스기
4. 결론을 대신하여
참고문헌
Abstract
참고문헌 (1)
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UCI(KEPA) : I410-ECN-0101-2014-700-003668139