지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study looks into the life and art of Jo, Heeryong(趙熙龍, 1789～1866) who led the literary trend of the 19th century as a common painter, focusing on his resentment to society. He was completely aware of his status belonging to the commoners. The commoners were actively engaged in writing poetry centering on Byeokosa(碧梧社) which was a place for literary activity club, and the common literary painters were the center of the club.
Jo Heeryong emphasized independent meaning of painting art and special talents of specialized painters based on ‘The Theory of Handcraft’ Suyeron(手藝論). Also, he had a unique point of view on art which suggests true representation of individuality based on Seongryong Theory(性靈論). He put more emphasis on expression of painter"s feeling rather than style while adhering to Namjong Literary Painting Style(南宗文人畵), and spoke for a new tendency of Joseon painting circle in the 19th century as he had the unique point of view on painting while pursuing for a free painting style.
His resentment as a commoner became energy for his art. It inspired him to think freely for his painting and pain caused by exile became an important chance to deepen his life and art. He sublimed painful experience of the exile as a commoner into art and created masterpieces during the exile. His painting style influenced painters of the time and led the 19th century painting circle to dynamic and esthetic painting world.
His writing revealed depressed feeling as a commoner. In particular, he wrote?『Hosan Ouiki(壺山外記)』, a collection of biographies of common people who were unknown though they were talented, through which he told their achievements. It has a great meaning in that he promoted his resentment caused by status differentiation to one of social issues.
Jo Heeryong emphasized independent meaning of painting art and special talents of specialized painters based on ‘The Theory of Handcraft’ Suyeron(手藝論). Also, he had a unique point of view on art which suggests true representation of individuality based on Seongryong Theory(性靈論). He put more emphasis on expression of painter"s feeling rather than style while adhering to Namjong Literary Painting Style(南宗文人畵), and spoke for a new tendency of Joseon painting circle in the 19th century as he had the unique point of view on painting while pursuing for a free painting style.
His resentment as a commoner became energy for his art. It inspired him to think freely for his painting and pain caused by exile became an important chance to deepen his life and art. He sublimed painful experience of the exile as a commoner into art and created masterpieces during the exile. His painting style influenced painters of the time and led the 19th century painting circle to dynamic and esthetic painting world.
His writing revealed depressed feeling as a commoner. In particular, he wrote?『Hosan Ouiki(壺山外記)』, a collection of biographies of common people who were unknown though they were talented, through which he told their achievements. It has a great meaning in that he promoted his resentment caused by status differentiation to one of social issues.
목차
Ⅰ. 머리말
Ⅱ. 조희룡의 삶
Ⅲ. 조희룡의 예술
Ⅳ. 맺음말
참고문헌
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2014-050-003008449