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The Ethical Subject and the Meaning of Resistance in Yun Dong-ju's Poetry : writing poems as Heaven´s will and the image of “poet”
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윤동주 시에 나타난 윤리적 주체와 저항의 의미 : '天命'으로서의 시쓰기와 '시인'의 표상을 중심으로

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Type
Academic journal
Author
Nam, Ki-hyeog (군산대학교)
Journal
The Korean Poetics Studies Association The Korean Poetics Studies Vol.36 KCI Accredited Journals
Published
2013.4
Pages
143 - 177 (35page)

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The Ethical Subject and the Meaning of Resistance in Yun Dong-ju's Poetry : writing poems as Heaven´s will and the image of “poet”
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Abstract· Keywords

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This article aims to understand the fatalism, and the cognition of “writing poems as the other”, and the poet’s inner moral appeared In Yun Dong-ju’s poetry. For this analysis, this article examines the formation of ethical subject. Critics have argued on Yun Dong-ju’s poetry from the view point of resistance literature. However, his resistance is not expressed through the political ideology of special ethnic community such as a nation, but through the authenticity of inner moral based on the universal ethic such as love for humanity. Especially, christian faith had an absolute effect on the process of his building “ethical subjectivity” and acquiring the authenticity of inner moral.
At first stage, this article analyzed “the discovery of landscape and the birth of the inner world” in Yun Dong-ju’s poetry, and examined that the aliened inner world of the poetic subject should be the beginning point of founding historical-self. But from 1938 to 1940, Yun Dong-ju expressed his sincere christian-faith germinated in his inner world. His faith is gradually converted into a firm belief on the absolute by his self-reflection. Finally, his poetic subject arrived at the point of ethical resolution and its practice based on his christian -faith. Now, he accepted the fate, “the sad heaven’s will(슬픈 천명)” that the God imposed on the “poet”. The heaven’s will was the only reason that he should write poems based upon his faith and morality.
The thinking that the poet’s fate is the heaven’s will needs the God’s gaze as an absolute other. Through the God’s gaze, or poet’s tragic fate imposed by Him, Yun Dong-ju could represent the fate of “poet” as the other against the colonial modernity. And he could build the absolutely ethical base on the authenticity of his inner world. Especially, the resistance of his poetic thought is not obtained by the particularity but by the universality as an absolute standard of ethical evaluation. Thus, he could betray the ideological fictive-ness of “the Greater East Asia Co-Prosperity Sphere(대동아공영권)” that would absolutize “the particularity” of the nation.

Contents

국문초록
I. 들어가는 말
II. 정지용이라는 창, 혹은 풍경의 발견과 내면성의 시학
III. 신이 부르는 소리, 혹은 절대적 타자의 시선과 내면적 모럴
IV. ‘시인‘이란 ‘슬픈 천명‘과 시쓰기의 모럴
V. 맺음말
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2014-810-003019119