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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper examines four different types of images of a couple of half human-half serpent deities which are often regarded as “Fuxi and Nuwa”. They are respectively from the Han(漢) relief sculpture, Dunhuang wall paintings, Goguryeo mural paintings, and Astana silk paintings. By scrutinizing their iconographical differences and comparing them with other similar and older images including Nagas from India, Ningishzida from Mesopotamia and Caduceus from Greece, this paper suggests ideas as follows. First, we need to define a boundary of the image of “Fuxi and Nuwa” more clearly. Second, we should move away from existing theory that images of the couple have originated from Chinese indigenous dragon-totemism. Given that no such images of half human-half serpent couple have been found in China that date from before the Han dynasty, we can assume that the pattern itself was influenced by other cultures from distinct regions along the Silk Road.
목차
1. 서론
2. 漢畵像石의 人首蛇身像
3. 敦煌벽화와 고구려고분벽화의 人首蛇身
4. 투루판 아스타나 출토 伏羲女?圖
5. 실크로드 각지의 蛇身交尾像
6. 결론
〈參考文獻〉
〈ABSTRACT〉
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UCI(KEPA) : I410-ECN-0101-2014-820-000318068