지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.12
- 수록면
- 172 - 199 (28page)
이용수
초록· 키워드
오류제보하기
In The Goat, or Who Is Sylvia? Edward Albee deals with one of the remaining taboos, bestiality, with brutal frankness and tests our tolerance as well as its probability. A number of perplexed critics who are reluctant to take its subject literally interpret bestiality as a metaphor for the irrational or spiritual love. However, in order to understand the sexuality of The Goat properly, it is inevitable to accept the awful reality of its subject as it is. This paper explores the way how Albee realizes bestiality on the stage as a fact and clarifies what he is trying to examine through bestiality.
When Martin confesses that he has fallen in love with a goat named Sylvia, his wife Stevie and his friend Ross just laugh it off. But emphasizing a word “crewing”and showing his goat photo, Martin gradually makes it sure that he is really having sexual relations with the goat. Delivering their tragic personal history, he also leads us to feel pity for a group of people whose sexual partners are animals. Martin’ bestiality is clearly and shockingly proved when Stevie drags a dead goat on the stage.
According to Albee himself, bestiality is a way to examine limits of tolerance. Albee’ intention is effectively achieved when Martin’ family and friend do not allow any tolerance for his sexual deviation. Every one of them reveals contempt and sneers at him without exception. Realistically and sympathetically presenting the way how they treat Martin who acts outside the norm, Albee makes us question our sexual values and expand our tolerance of sexual difference.
When Martin confesses that he has fallen in love with a goat named Sylvia, his wife Stevie and his friend Ross just laugh it off. But emphasizing a word “crewing”and showing his goat photo, Martin gradually makes it sure that he is really having sexual relations with the goat. Delivering their tragic personal history, he also leads us to feel pity for a group of people whose sexual partners are animals. Martin’ bestiality is clearly and shockingly proved when Stevie drags a dead goat on the stage.
According to Albee himself, bestiality is a way to examine limits of tolerance. Albee’ intention is effectively achieved when Martin’ family and friend do not allow any tolerance for his sexual deviation. Every one of them reveals contempt and sneers at him without exception. Realistically and sympathetically presenting the way how they treat Martin who acts outside the norm, Albee makes us question our sexual values and expand our tolerance of sexual difference.
목차
I. 들어가기
II. 수간의 사실화 작업
III. 관용의 한계
V. 나가기
인용문헌
Abstract
참고문헌 (34)
참고문헌 신청
2. [단행본] - 브라운, 웬디 / 2010 / 이승철 역, In 관용 / 갈무리
3. [학술지(정기간행물)] - 이연자 / 2004 / 『염소 혹은 누가 실비아인가?』: 금기의 실험과 브로드웨이 / 현대영어영문학 48 (3) : 35 ~ 55
4. [단행본] - Albee, Edward / 2003 / The Goat, or Who Is Sylvia?: Notes toward a Definition of Tragedy / The Overlook P
5. [인터넷자원] - Albee, Edward. / / I’m Just Too Busy to Look Back
6. [단행본] - Anderson, Mark / 1981 / Living on the Precipice: A Conversation with Edward Albee, In Conversation with Edward Albee / UP of Mississippi : 158 ~ 172
3. [학술지(정기간행물)] - 이연자 / 2004 / 『염소 혹은 누가 실비아인가?』: 금기의 실험과 브로드웨이 / 현대영어영문학 48 (3) : 35 ~ 55
4. [단행본] - Albee, Edward / 2003 / The Goat, or Who Is Sylvia?: Notes toward a Definition of Tragedy / The Overlook P
5. [인터넷자원] - Albee, Edward. / / I’m Just Too Busy to Look Back
6. [단행본] - Anderson, Mark / 1981 / Living on the Precipice: A Conversation with Edward Albee, In Conversation with Edward Albee / UP of Mississippi : 158 ~ 172
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