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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This paper compared the two literary work dealing with the same story in different ways, XixiangjiZhugongdiao and Xixiangji. Most of the studies concerned focused on the differences in characters, change of the story, or the rhetoric. But these studies have rarely payed attention to the intrinsic difference between Zhugongjiao and Zhaju. The different features of the two genre brought the different description manners and narration styles. Here I focused on this matter.
In XixiangjiZhugongdiao the narrater appears in the front interpreting and evaluating the situation, and there are frequent lengthy marshaling. They were used to show off the storyteller’s skills and earn time to think about the next story. On the contrast, in Xixiangji there is no narrater or lengthy marshaling anymore, as is derived from the fact that it is played on the stage by the actors for themselves.
In XixiangjiZhugongdiao there is only one single eyes following the main character. As a result, the spectators can’t expect which person this main character will run against, thus around characters appear suddenly and the events happen unexpectedly, which might have been useful to buttonhold the curiosity of the spectators. But in Xixiangji, because the spectators can see all the plural characters on the stage at once, the double eyes are allowed. And the playwright tried to exclude the contingency of the events giving a hint which is to be developed later.
The development of narration style in Xixiangji might have been one of the reasons of the Zhugongdiao’s decline and popularity of Zhaju during Yuan元 dynasty.
In XixiangjiZhugongdiao the narrater appears in the front interpreting and evaluating the situation, and there are frequent lengthy marshaling. They were used to show off the storyteller’s skills and earn time to think about the next story. On the contrast, in Xixiangji there is no narrater or lengthy marshaling anymore, as is derived from the fact that it is played on the stage by the actors for themselves.
In XixiangjiZhugongdiao there is only one single eyes following the main character. As a result, the spectators can’t expect which person this main character will run against, thus around characters appear suddenly and the events happen unexpectedly, which might have been useful to buttonhold the curiosity of the spectators. But in Xixiangji, because the spectators can see all the plural characters on the stage at once, the double eyes are allowed. And the playwright tried to exclude the contingency of the events giving a hint which is to be developed later.
The development of narration style in Xixiangji might have been one of the reasons of the Zhugongdiao’s decline and popularity of Zhaju during Yuan元 dynasty.
목차
1. 들어가며
2. 서술방식상의 차이점
3. 서사기교상의 차이점
4. 나가며
【參考文獻】
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2014-820-000467868