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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.8
- 수록면
- 3 - 63 (61page)
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The goal of this paper is to analyse the aspects of colonial encounter and its developments between whites and blacks in South Africa. In particular, we are interested in the characters of different races in the novels, which are written by N. Gordimer and J. M. Coetzee in the last six decades. Both writers are known well indeed for their contribution to the understanding the conflicts and problems which have been so prevalent since 1948, i.e. the beginning of Apartheid regime of National Party of South Africa. However, the novel for example treats the event of white explorer who travelled to the Namaqua land, north of Cape province in 17th century. Because of misunderstanding of other culture, and what with the imperial desire of the white invaders, the first images of native people there are negative, even destructive to the Other. This kind of bad beginning of prejudice-building continues to be a institutionalized new order of white colony.
We have investigated 17 novels, 10 of Gordimer and 7 of Coetzee regarding the racial images, which are formed by characters in given texts. Racial differences projected mostly by skin color are the most direct emotional perception, which are the base of further imagination and thinking on other culture. In the development of colonial society, these emotional prejudices and stereotypes were developed as a kind of facts to which people in next generations have been accustomed without any serious moral problem. This paper is divided into four parts according to the stages of development of white images against blacks. In fact the theme of race is not separated in principle from that of gender, or socio-economic class of the people in South Africa. For example it is not difficult to find a racial discrimination between Jew and Gentile, or other white people like Greeks in Lying Days (1953).
More general, but abstract topic like ‘power-relationship’ between different kinds of social groups can be pursued as dominant vs. peripheral one. However, we have put aside this approach, rather concentrated on more concrete aspects that are observed more clearly in given texts. With the development of history in South Africa, the relationship between black and white has changed even to the point where the role of whites seem to be reversed to blacks, as is shown between black political leader and white liberal women as in A Sport of Nature (1987) or My Son’s Story (1990). Most dramatic change and reverse however become apparent after the power-change in 1994. The concrete situation of some whites are described vividly in Coetzee’s Disgrace. To conclude, it is not a mere linear development of history in South Africa as in any other countries, but the most basic seed of evil of racial discrimination and that of violence of colonial/imperial aggression seem to be present still in these days in various modes of appearances.
We have investigated 17 novels, 10 of Gordimer and 7 of Coetzee regarding the racial images, which are formed by characters in given texts. Racial differences projected mostly by skin color are the most direct emotional perception, which are the base of further imagination and thinking on other culture. In the development of colonial society, these emotional prejudices and stereotypes were developed as a kind of facts to which people in next generations have been accustomed without any serious moral problem. This paper is divided into four parts according to the stages of development of white images against blacks. In fact the theme of race is not separated in principle from that of gender, or socio-economic class of the people in South Africa. For example it is not difficult to find a racial discrimination between Jew and Gentile, or other white people like Greeks in Lying Days (1953).
More general, but abstract topic like ‘power-relationship’ between different kinds of social groups can be pursued as dominant vs. peripheral one. However, we have put aside this approach, rather concentrated on more concrete aspects that are observed more clearly in given texts. With the development of history in South Africa, the relationship between black and white has changed even to the point where the role of whites seem to be reversed to blacks, as is shown between black political leader and white liberal women as in A Sport of Nature (1987) or My Son’s Story (1990). Most dramatic change and reverse however become apparent after the power-change in 1994. The concrete situation of some whites are described vividly in Coetzee’s Disgrace. To conclude, it is not a mere linear development of history in South Africa as in any other countries, but the most basic seed of evil of racial discrimination and that of violence of colonial/imperial aggression seem to be present still in these days in various modes of appearances.
목차
1. 서론
2. 식민지적 첫 만남, 초기 탐험자들의 흑인 인식
3. 가부장적 식민 질서 속에서의 흑백 만남(‘나라의 심연에서’ 1978)
4. 진보적 백인의 등장과 흑인의 반응
5. 또 다른 형태의 투쟁과 공격성 그리고 역전
6. 맺는 말: 흑백 식민 질서의 생성과 전개 그리고 다양한 형태의 변화
〈참고문헌〉
Abstract
참고문헌 (101)
참고문헌 신청
1. [단행본] - Allport, Gordon W / 1954 / The Nature of Prejudice / Addison-Wesley
2. [단행본] - Attridge, Derek. / 1994 / Trusting the Other: Ethics and Politics in J. M. Coetzee's Age of Iron, In Moses : 59 ~ 82
3. [단행본] - Attridge, Derek / 2004 / J. M. Coetzee and the Ethics of Reading / The University of Chicago Press
4. [단행본] - Attwell, David. / 1993 / J. M. Coetzee: South Africa and the Politics of Writing / University of California Press
5. [단행본] - Attwell, David / 1998 / 'The labyrinth of My History': J. M. Coetzee's Dusklands : 29 ~ 49
2. [단행본] - Attridge, Derek. / 1994 / Trusting the Other: Ethics and Politics in J. M. Coetzee's Age of Iron, In Moses : 59 ~ 82
3. [단행본] - Attridge, Derek / 2004 / J. M. Coetzee and the Ethics of Reading / The University of Chicago Press
4. [단행본] - Attwell, David. / 1993 / J. M. Coetzee: South Africa and the Politics of Writing / University of California Press
5. [단행본] - Attwell, David / 1998 / 'The labyrinth of My History': J. M. Coetzee's Dusklands : 29 ~ 49
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