지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 고조선단군학회 고조선단군학 고조선단군학 제26호
- 발행연도
- 2012.5
- 수록면
- 383 - 455 (73page)
- DOI
- 10.18706/jgds.2012.05.26.383
이용수
초록· 키워드
오류제보하기
Chungsanpyulgok(靑山別曲) is one of Korean old traditional song(Kayo, 歌謠) which was composed in Koryo Dynasty, lyrics and musics of which were written in Akjangkasa『樂章歌詞』and Siyonghyangakbo『時用鄕樂譜』. However, it is not written who wrote and composed it. In this article, we tried to investigate how Chungsanpyulgok(靑山別曲) has been handed down and affected the music of next generation such as Daekuk(大國), Napsiga(納氏歌) in Korea Dynasty and Hyumyung(休命) Kyungkunjikok(敬勤之曲) and Chongyu(寵綠) of Chongmyojeryeak(宗廟祭禮樂) in Chosun Dynasty.
Daekuk was seemed to be sung at the same era of time Chungsanpvuigok. Daekuk and Chungsanpyulgok were composed with Pyungjo(平調) of 10 Haeng(行), melodies are almost same, however, although lyrics are not the same. This means that Daekuk is made by only changing the lyrics on the music of Chungsanpyulgok. In late of Koryo Dynasty(1393), Napsiga known to be made by Chungdojon(鄭道傳) which was composed with Pyungjo of 8 Haeng. Napsiga was also made by reducing the music from 10 Haeng to 8 Haeng and by changing the lyrics of Chungsanpyulgok. This is the same in Chosun Dynaty, Hyumyung, the Kyemyunjo(界面調) music ol King Sejong, performed in Hoeryeak(會禮樂), was also made by changing music and lyrics of Chuugsanpyulgok, the music was changed from Pyongjo to Kyemyunjo with 12 Haeng. They made Kyungkunjikok of King Sejo by excerpting the melody of Chungsanpyulgok. Chongyu in King Sejo, still being performed in modern times as Chongmyojeryeak, was also made by excerpting 8 Haeng from 10 Haeng of Chungsanpyulgok and also changing to Kyemyunjo in King Sejo with different lyrics.
Daekuk was seemed to be sung at the same era of time Chungsanpvuigok. Daekuk and Chungsanpyulgok were composed with Pyungjo(平調) of 10 Haeng(行), melodies are almost same, however, although lyrics are not the same. This means that Daekuk is made by only changing the lyrics on the music of Chungsanpyulgok. In late of Koryo Dynasty(1393), Napsiga known to be made by Chungdojon(鄭道傳) which was composed with Pyungjo of 8 Haeng. Napsiga was also made by reducing the music from 10 Haeng to 8 Haeng and by changing the lyrics of Chungsanpyulgok. This is the same in Chosun Dynaty, Hyumyung, the Kyemyunjo(界面調) music ol King Sejong, performed in Hoeryeak(會禮樂), was also made by changing music and lyrics of Chuugsanpyulgok, the music was changed from Pyongjo to Kyemyunjo with 12 Haeng. They made Kyungkunjikok of King Sejo by excerpting the melody of Chungsanpyulgok. Chongyu in King Sejo, still being performed in modern times as Chongmyojeryeak, was also made by excerpting 8 Haeng from 10 Haeng of Chungsanpyulgok and also changing to Kyemyunjo in King Sejo with different lyrics.
목차
I. 서론
II. 청산별곡의 개요
III. 청산별곡과 대국 비교
IV. 청산별곡과 납씨가 비교
V. 청산별곡과 휴명 비교
VI. 청산별곡과 경근지곡 비교
VII. 청산별곡과 총유 비교
VIII. 결론
참고문헌
Abstract
참고문헌 (29)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-911-002649195