지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 저널정보
- 고조선단군학회 고조선단군학 고조선단군학 제25호
- 발행연도
- 2011.11
- 수록면
- 5 - 33 (29page)
- DOI
- 10.18706/jgds.2011.11.25.5
이용수
초록· 키워드
오류제보하기
This thesis studied the features of the expression which appeared in the old East Asian funeral art around the ornamental carving of ston and the mural.
The study result shows that in the case of the funeral art which appears on the Chinese mural, the material and size of the first half in the Han(漢) dynasty is too small compared with that of the latter half in the Han dynasty. That is, it seems that the mural appeared clearly before and after 100 B.C. and increased so much in the late in the Han dynasty
The funeral conception of the Han dynasty consists of the heavenly world, the a legendary wizard world, the real world and the underground world. It looks like that the boarding onto the legendary wizard world was regarded to be more important than to the heavenly world. So in the grave mural and the ston ancestral shrine , the diagram relating to the legendary wizard world was treated more importantly. It appeared that this concept had been kept since then and affected the grave mural of Goguryeo(高句麗).
But the content and expression of diagram contained the Chinese coloring strongly but accepted it selectively. And when it came to the 7th century, the more independent type appeared. Especially the jiban area and Pyongyang area were developed respectively. But as it came near to the end of the 5th century, the jiban style expression was added to that of Pyongyang and the compromised type was being made. That is, Goguryeo had digested the imported culture in its own way and come to create the expression of Pan-Goguryeo funeral art around Pyongyang.
The study result shows that in the case of the funeral art which appears on the Chinese mural, the material and size of the first half in the Han(漢) dynasty is too small compared with that of the latter half in the Han dynasty. That is, it seems that the mural appeared clearly before and after 100 B.C. and increased so much in the late in the Han dynasty
The funeral conception of the Han dynasty consists of the heavenly world, the a legendary wizard world, the real world and the underground world. It looks like that the boarding onto the legendary wizard world was regarded to be more important than to the heavenly world. So in the grave mural and the ston ancestral shrine , the diagram relating to the legendary wizard world was treated more importantly. It appeared that this concept had been kept since then and affected the grave mural of Goguryeo(高句麗).
But the content and expression of diagram contained the Chinese coloring strongly but accepted it selectively. And when it came to the 7th century, the more independent type appeared. Especially the jiban area and Pyongyang area were developed respectively. But as it came near to the end of the 5th century, the jiban style expression was added to that of Pyongyang and the compromised type was being made. That is, Goguryeo had digested the imported culture in its own way and come to create the expression of Pan-Goguryeo funeral art around Pyongyang.
목차
1. 서론
2. 중국 고분벽화 및 석사당의 상장미술 표현
3. 고구려 고분벽화의 상장미술 표현
4. 결론
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-911-001376946