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논문 기본 정보

자료유형
학술저널
저자정보
박정만 (성균관대학교)
저널정보
한국현대영미드라마학회 현대영미드라마 현대영미드라마 제24권 제2호
발행연도
2011.8
수록면
79 - 110 (32page)

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초록· 키워드

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Edward Harrigan, a representative Irish-American dramatist in the late 19C, tries to mirror up the contemporary multi-ethnic immigrants in the Lower East Side of Manhattan, New York City. While exerting himself to make plays like pages from actual life, Harrigan creates an Irish comic character ‘type’ named Dan Mulligan. Dan, who is allowed positive sides of personality, is differentiated from the earlier Irish characters as ‘whiteface’ stereotypes. Such positivity of Dan, the Irish character type, reflects Harrigan’s self-conscious pride for his own ethnic heritage or nostalgia for the Motherland which the playwright had never been to but had known by listening to his parents. In this respect, Harrigan’s Irish character embodies the playwright’s diaspora identity. This paper, by reading Harrigan’s The Mulligan Guard Ball (1897), explores the process in which Irish character types in the play embody Irish-American identity and reshape it into a bias-free Irish ethnicity, successfully avoiding the trap of ‘whiteface’ stereotypes. To this end, this paper especially focuses on the theme of ‘Irish Memory’: how the Irish Memory to be reflected in the formation of Irish character types; how the Irish Memory to be merged into the Irish-American identity which is implied and expressed out by the Irish character types. This paper is expected to widen and deepen the study of the theme by locating it in the late 19C American environment and by discussing the Irish Memory theme in terms of ‘aboriginality’ and ‘diaspora’ experience, differentiating itself from the existing practices in which the Irish Memory theme is regarded as an exclusive possession of modern time and, therefore, is exhausted in the study of 20C modern Irish dramas including Brian Friel’s.

목차

Ⅰ. 들어가며
Ⅱ. 뮬리건 가드, 댄 뮬리건, ‘뮬리건 가드 시리즈’
Ⅲ. 『뮬리건 가드 무도회』
Ⅳ. 아이리쉬 메모리, 기억의 재구성, 아이리쉬-아메리칸 정체성
Ⅳ. 나가며
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UCI(KEPA) : I410-ECN-0101-2013-842-000681326