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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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This essay deals with principles and processes of the making of historical museum in a democratic society. In 21st century, historical museums should not be built to define political legitimacy or to reinforce national identity for some ideological purpose. As we can see the making process of the ‘House of History of the Federal Republic of Germany’ in Bonn, the democratic discussion on its fundamental purpose and substantive direction of exhibition is of great importance, in particular for a national museum for contemporary history. But, the initiators of the ‘National Museum of Korean Contemporary History’ in Seoul are neglecting the democratic process of debate and discussion in public sphere and with experts groups as historians and museum specialist. They are now only interested in (re-)definement of their right-wing political legitimation and strengthening of the Korean national identity.
Moreover, in their opinion the Korean contemporary history since 1945 had been filled with ‘miracles’ and ‘successes’ which should mainly be exhibited in the National Museum of Korean Contemporary History. But, their images of the Korean contemporary history are not in accordance with various experiences and memories of most ordinary people in South Korea. The present objective and exhibition plan of the ‘historical cultural’ institution should be replaced by a new concept which would be aimed at a museum as communication space for plural democratic histories and critical reflection on historical tragedies.
Moreover, in their opinion the Korean contemporary history since 1945 had been filled with ‘miracles’ and ‘successes’ which should mainly be exhibited in the National Museum of Korean Contemporary History. But, their images of the Korean contemporary history are not in accordance with various experiences and memories of most ordinary people in South Korea. The present objective and exhibition plan of the ‘historical cultural’ institution should be replaced by a new concept which would be aimed at a museum as communication space for plural democratic histories and critical reflection on historical tragedies.
목차
1. 들어가며:(극)우파의 ‘역사 공세’와 ‘역사문화’에 대한 관심의 필요성
2. ‘독일연방공화국역사의 집’ 건립 과정
3. ‘대한민국역사박물관’의 건립 취지와 과정 비판
4. 맺는말: 현대사박물관을 다원적 역사상의 소통과 성찰적 역사의식의 문화공간으로!
Abstract
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UCI(KEPA) : I410-ECN-0101-2013-905-000393636