지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Busan has been now developed by the intended pursuit of its congestion through rapid growth, whereupon installing a minimum infrastructure and securing dwelling spaces became the core of its development. It has accordingly became a heartless city where there natural living spaces are rarely seen with the overcrowding, the traffic jams, the stuffy air, and the concentrated high-rise apartment buildings. The concept ‘creative city’ was raised by the increased interest in the quality of life and chosen as an alternative of the reflection on the existing city development.
In this study I explained its concept through the theoretical considering of it and examined the creative city policies of Yokohama of Japan that is as big as Busan. This helped me to seek what suggestions it has as a policy for the development of Busan. Many examples proved that Yokohama city was improving its competence creatively by increasing the cultural facilities and organizations the citizens could use and making them voluntarily take part in culture, industry, welfare, environment, and so on. They also revealed that the Japanese city was planning to develop itself by connecting citizens, local companies, and local governments to one another over the network.
It is resulted from the examination of the examples that Busan will have to plan its development based in the cultural centered, creative city by cultivating its unique culture and emphasizing more sustainable growth. I think that ‘creative city’ has to be understood not as a fixed goal but as a concept of process and policies about creative space, creative culture, and creative industry that creative citizens can sail into and live in have to be sought.
In this study I explained its concept through the theoretical considering of it and examined the creative city policies of Yokohama of Japan that is as big as Busan. This helped me to seek what suggestions it has as a policy for the development of Busan. Many examples proved that Yokohama city was improving its competence creatively by increasing the cultural facilities and organizations the citizens could use and making them voluntarily take part in culture, industry, welfare, environment, and so on. They also revealed that the Japanese city was planning to develop itself by connecting citizens, local companies, and local governments to one another over the network.
It is resulted from the examination of the examples that Busan will have to plan its development based in the cultural centered, creative city by cultivating its unique culture and emphasizing more sustainable growth. I think that ‘creative city’ has to be understood not as a fixed goal but as a concept of process and policies about creative space, creative culture, and creative industry that creative citizens can sail into and live in have to be sought.
목차
Ⅰ. 서론
Ⅱ. 창조도시의 이해
Ⅲ. 창조적 도시공간 조성 사례와 시사점 - 요코하마의 내셔널 아트파크와 상해의 M50 사례를 중심으로
Ⅳ. 부산의 창조공간 형성 방향
Ⅴ. 결론
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UCI(KEPA) : I410-ECN-0101-2013-910-000267978