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논문 기본 정보

자료유형
학술저널
저자정보
김창호 (동의대학교)
저널정보
새한영어영문학회 새한영어영문학 새한영어영문학 제54권 1호
발행연도
2012.2
수록면
19 - 38 (20page)

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초록· 키워드

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As relationships between audiences and genres of arts have been changing, so new relationships and encounters are emerging at the same time. We have enjoyed the music of Shakespeare in the theater, ballet, film, television, and other adaptations. There will be a continued musical regeneration of Shakespeare regardless of its effects. Shakespeare says that life is full of sound and fury. Sounds in everyday life make us feel pleased or not according to the individual situation. So there must be some division between sound and music. What is music like in Shakespeare? The pleasure of music is a subjective and personal event, and many dimensions of music are present in Shakespeare. But the political theory of musical harmony is found so often in Shakespeare’s plays that Shakespeare’s kings frequently appeal to Neoplatonic ideas of harmony to assert their place in natural order. It seems that Shakespeare’s plays are like the musical instrument to perform both the sounds of the universe and individuals. In Renaissance they think that the mind and body are connected with each other, and Shakespeare shows the use of music as a program for education and a cure of diseases of the mind. Renaissance music in Shakespeare is less symbolic and more realistic, and is perceived and enjoyed for its own sake, which draws directly to the senses and human feelings.

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Ⅰ. 서론
Ⅱ. 소음과 음악의 경계
Ⅲ. 우주 음악과 정치
Ⅳ. 음악과 일상생활
Ⅴ. 결론
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Abstract

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