지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This study is to reconsider the meaning of Lee Hyo-Seok's whole texts in the perspective of aesthetic idealism. The purpose of this article is to clarify how to bridge the gap between his early works and late works. Lee Hyo-seok's literary works show much interest in new media, new products, classical music and overseas trip. He reveals class consciousness toward the capitalistic system and he offered Korean people trenchant criticism on civilization. However, he could not conceal his own captivation of western civilization. In his novel Byeokgongmuhan, the protagonist named Il-ma won the lottery in Manchuria. Il-ma could finally be married to Russian woman and he could attain his long-cherished desire to invite famous orchestra to Korea. Byeokgongmuhan, shows Lee Hyo-seok's aesthetic idealism to the utmost limit. Il-ma dreamed of perfect coincidence between his aesthetic ideal and everyday lives through his marriage to western woman.
Lee Hyo-seok was also interested in writing poems. In his early poems, he shows his aesthetic idealism in more honest and uncluttered expression. In addition, he regarded making mysterious atmosphere as important factor to complete his own works. His characters and spaces seem to be enveloped in dense fog. His ideal villages were so shrouded in mist that readers of his books could not easily clarify the accurate meaning of his ideal spaces and characters. The characters and spaces he made were extraordinarily beautiful because they were not accessible or available.
After he moved to Hambuk, he started writing on indigenous themes. His indigenous themes were intended not to return to his native place but to recreate old local places to new hiding places for urbanite city people. The countrysides he had depicted in his own novels were modern places which were rediscovered by a modern writer. Lee Hyo-seok's literary works were continuously focusing on his own aesthetic idealism which was inclined to western art and modern perspective. His aesthetic idealism included both occidentalism of Asian and orientalism of westernized Asian.
Lee Hyo-seok was also interested in writing poems. In his early poems, he shows his aesthetic idealism in more honest and uncluttered expression. In addition, he regarded making mysterious atmosphere as important factor to complete his own works. His characters and spaces seem to be enveloped in dense fog. His ideal villages were so shrouded in mist that readers of his books could not easily clarify the accurate meaning of his ideal spaces and characters. The characters and spaces he made were extraordinarily beautiful because they were not accessible or available.
After he moved to Hambuk, he started writing on indigenous themes. His indigenous themes were intended not to return to his native place but to recreate old local places to new hiding places for urbanite city people. The countrysides he had depicted in his own novels were modern places which were rediscovered by a modern writer. Lee Hyo-seok's literary works were continuously focusing on his own aesthetic idealism which was inclined to western art and modern perspective. His aesthetic idealism included both occidentalism of Asian and orientalism of westernized Asian.
목차
〈국문초록〉
1. 이효석 텍스트를 둘러싼 상반된 평가들
2. 노스탤지아의 감수성과 유토피아 지향성
3. 이효석 텍스트에 나타난 문화적 취향과 계급의 문제
4. ‘안개’와 ‘식과 색’의 미학
5. 만주, 하얼빈, 러시아의 공간적 표상
6. 이효적 텍스트의 새로운 연구 가능성
〈참고문헌〉
영문초록
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
이효석 텍스트의 미학적 표상들 : 이효석 문학의 일관된 미적 지향의 발견을 위하여
정여울
한국현대문학회 학술발표회자료집
2011
.02
1920년대 후반 식민지 문학에 나타난 ‘북국(北國)’ 표상 연구 : 이효석 초기 작품과 카프 관련 활동을 중심으로
이현주
우리문학연구
2014
.10
일제 말기 이효석 소설에 나타난 고향 표상의 변전(變轉)
정실비
한국근대문학연구
2012
.04
일제말 이효석 문학과 우회적 저항
김재용
한국근대문학연구
2011
.10
이효석 作 〈모밀꽃 필 무렵〉의 서정소설적 특성에 관한 연구
김미영
어문학
2011
.03
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-810-000586582