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자료유형
학술저널
저자정보
박명진 (중앙대학교)
저널정보
중앙어문학회 어문론집 語文論集 第46輯
발행연도
2011.3
수록면
295 - 327 (33page)

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초록· 키워드

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This paper aims to analyze the aspect of representation of space and other in Korean films about migrant workers. This paper will focus on two films, 〈Barricade〉 and 〈Bandhobi〉. 〈Barricade〉 is about the conflict between Korean workers and workers from Southeast Asia. In laundry, migrant workers had to endure inhumane treatment from Korean workers. "Han-sik", hero of this movie, is cynical about others and assumes the attitude of an onlooker on them. The father of "Han-sik" was a immigrant worker in the United States. However, he was contemptuous of both his father and of immigrant workers. But, he gradually began to understand their position. In the ending of the film, he showed "Jaki", worker from Bangladesh, a tolerant attitude.
〈Bandhobi〉 is a film about a friendship between Korean high school girl and male worker from Bangladesh. The story about love between Korean woman and man from Southeast Asia is a very sensitive issue. "Min-seo", is heroine of this film, ignored and looked down on him only because he was from poor country. She is part-time worker of gas station and massage shops. Her workplace is surrounded by danger like as men's sexual threats. 〈Bandhobi〉 criticizes the vulgarity of capitalism in Korean society by showing spaces filled with insatiable desire. "Min-seo" is slowly changed by his unconditional kindness and tolerance on her. This film emphasizes us the value of the spirit of hospitality.

목차

1. 머리말
2. 폐쇄공간 속의 유민(流民)들 : 〈바리케이트〉
3. 폭력사회에서의 환대와 우정 : 〈반두비〉
4. 맺음말
참고문헌
Abstract

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