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자료유형
학술저널
저자정보
저널정보
한국외국어대학교 외국문학연구소 외국문학연구 외국문학연구 제14호
발행연도
2003.8
수록면
213 - 236 (24page)

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Numerous middle class Protestant women writers in the U. S. published huge quantities of diverse writings over the period of American Renaissance, the Victorian era. Their works were delivered to hundreds of thousands of readers at the same time.
Until quite recently, however, these texts have been despised and disgraced twentieth-century critics because of many reasons: their popularity, artistic ineffectiveness due to emotional excess and to the burdensome religiosity and their trivial domesticity. Those reproaches were caused probably by some mistakes such as the critics paid no attention to the conditions of the Victorian American women's lives and to the Victorian cultural codes in which these novels were produced.
This article chooses one of the best-seller novels written by women writers at the time: Harriet Beecher Stowe's Uncle Tom's Cabin, the primary focus of this article is not to find out its artistic merit but to get rid of its disgraces by clarifying the writer's intentions and by taking its literary conventions. specially about domesticity, seriously.
Domesticity, which is regarded only as an obstacle by women these days, was a kind of cultural belief in the Victorian era. To the Victorian American women who couldn't get jobs in public sphere, their homes were alternative spaces to fulfill their desires for politics and economy. By making good use of domestic spheres, a group of ideal women characters in this novel strengthen their subjectivity politically and economically. Therefore, the triviality and narrowness of domesticity in this novel are transpired as their wide, wide world.

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