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One of the most critically acclaimed writers not only in the United States but in other countries as well, William Faulkner differs from other American writers in that it is very difficult, if not impossible, to pigeonhole him into anyone category. On the one hand, he wrote his fiction mainly in the native tradition, thus making him one of what Philip Rahv called "Redskins" like Mark Twain and Theodore Dreiser. On the other hand, Faulkner particularly in the early periods of his literary career was influenced by European writers. In that sense, he can be categorized as one of what Rahv also called "Palefaces" like Henry James and Nathaniel Hawthorne.
The same thing is true with Faulkner's affiliation with literary traditions. It can be argued that he was one of realists and/or naturalists as exemplified in such novels as Flag in the Dust, Light in August, and the Snopes Trilogy. He was, however, one of writers who not only introduced literary modernism into the United States, but also developed that tradition. His works of fiction, such as The Sound and the Fury, As I Lay Dying, and Absalom, Absalom!, have been interpreted as one of the most representative modernist novels. Futhermore, a close investigation of some of his novels also reveals that he is one of precursors of what has been known as postmodernism.
The same thing is true with Faulkner's affiliation with literary traditions. It can be argued that he was one of realists and/or naturalists as exemplified in such novels as Flag in the Dust, Light in August, and the Snopes Trilogy. He was, however, one of writers who not only introduced literary modernism into the United States, but also developed that tradition. His works of fiction, such as The Sound and the Fury, As I Lay Dying, and Absalom, Absalom!, have been interpreted as one of the most representative modernist novels. Futhermore, a close investigation of some of his novels also reveals that he is one of precursors of what has been known as postmodernism.
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Faulkner’s Radical Skepticism in Absalom, Absalom!
신영어영문학
2008 .02
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William Faulkner 후기소설에 나타난 종교성
새한영어영문학
1993 .10
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『내 누워서 죽을 때』의 서술구조와 주제의 상호작용
새한영어영문학
2006 .02
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Henry Sutpen and Charles Bon: William Faulkner’s Reimagining of Nineteenth-Century Interracial Male Bonding in Absalom, Absalom!
근대영미소설
2014 .01
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Faulkner's As I Lay Dying : Against the Definition of Language
새한영어영문학
1994 .10
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“I have lived to make me what I choose to be”: Joe Christmas (Un)Raced in William Faulkner’s Light in August
영어영문학연구
2011 .01
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William Faulkner의 'Lost'性 : Soldiers' Fay를 중심으로
코기토
1975 .12
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William Faulkner의 소설과 도덕관
새한영어영문학
1978 .03
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『압살롬, 압살롬!』의 남부의 심연으로의 신화적 여정
신영어영문학
2009 .11
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William Faulkner의 Go Down, Moses에 나타난 Time에 관한 연구
새한영어영문학
1982 .12
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클라이티 서트펜과 쇼펜하우어의 연민
영미문학페미니즘
2019 .01
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포크너의 『곰』에 나타난 생태의식
영어영문학21
2013 .01
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윌리암 포크너의 소설: 문명과 자연의 대립
영어영문학연구
2004 .01
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The Genealogy of the Damned:Yeats’s Purgatory (1939) and Faulkner’s Absalom, Absalom! (1936)
한국 예이츠 저널
2015 .01
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"압살롬, 압살롬"의 생태비평적 읽기: 환경과 인종의 문제
영어영문학연구
2010 .01
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The Tradition of the American Short Story : A Comparison of Hawthorne’s “The White Old Maid" and Faulkner's “A Rose for Emily"
새한영어영문학
1998 .10
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The Effects of Intervening Narrators Represented in William Faulkner’s Absalom, Absalom!
영어영문학21
2012 .01
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UCI(KEPA) : I410-ECN-0101-2012-705-003655626