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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study was to analyze logic observed consistently in Lee Gwang?rae’s dramas created during the period under the rule of Japanese imperialism and to examine how the logic is linked and what meanings the logic has in the world of his dramas. Lee Gwang?rae’s dramas continuously reveal his struggle with the ‘realities’ of Chosun. In Chonseonsaeng, he denies ‘Western style modernization’ in the sense that the farm villages of Chosun should be perceived correctly, and in Seongnyunamujip, he shows that the present problem has been caused not only by ‘modernization by Japanese imperialism’ but also by ‘the authoritarianism of feudal aristocrats’ as a result of perceiving the peculiarity of colonized Chosun. Furthermore, he moved to the point that the truth for overcoming such realities is the restoration of ‘motherhood’ based on humanity. In Bukhaeanui Heukjo written in the end of the period under the rule of Japanese imperialism, he describes the distorted authoritarianism of aristocrats more vividly but, at the same time, showed the image of people won over by national logic with their private desires castrated. The nationalization of people is observed also in Dongsang.
The reason that the inner logic of Lee Gwang?rae’s dramas was tilted easily to ruling discourses was paradoxically that he struggled with the realities of Chosun in his works. Lee Gwang?rae’s perception of the realities of colonized Chosun, which we can guess from his dramas, consistently has two aspects ‘conservativeness inside Chosun’ and ‘enforcement by Japan,’ and after all, the ideal suggested by him sometimes became conceptual or distorted and oppressed individuals’ desires. As a result, although he rejected Western?style modernism at the beginning, he had to follow the process of a modern nation state, taking advantage of Japanese imperialism. That is, he fell into the incomplete perception of modernism that grudged urbanization but accepted economic wealth and military strength or rationalism. Such a perception of modernism might be settled as a base for surrendering to the modern device ‘state’ when facing the critical situation at the end of Japanese imperialism. This result was covered up after the Liberation, and the inner logic of Lee Gwang?rae’s dramas repeated the same process and was captured by the ruling discourse of the new state.
The reason that the inner logic of Lee Gwang?rae’s dramas was tilted easily to ruling discourses was paradoxically that he struggled with the realities of Chosun in his works. Lee Gwang?rae’s perception of the realities of colonized Chosun, which we can guess from his dramas, consistently has two aspects ‘conservativeness inside Chosun’ and ‘enforcement by Japan,’ and after all, the ideal suggested by him sometimes became conceptual or distorted and oppressed individuals’ desires. As a result, although he rejected Western?style modernism at the beginning, he had to follow the process of a modern nation state, taking advantage of Japanese imperialism. That is, he fell into the incomplete perception of modernism that grudged urbanization but accepted economic wealth and military strength or rationalism. Such a perception of modernism might be settled as a base for surrendering to the modern device ‘state’ when facing the critical situation at the end of Japanese imperialism. This result was covered up after the Liberation, and the inner logic of Lee Gwang?rae’s dramas repeated the same process and was captured by the ruling discourse of the new state.
목차
1. 서론
2. 서구적 근대화에 대한 비판과 객관적 현실 인식 강조
3. 식민지 조선의 특수성 인식과 불안한 전조
4. 지속된 현실 인식과 국민화로의 전환
5. ‘현실’에 대한 객관적 성찰의 지속=식민성의 내면화
참고 문헌
[Abstract]
참고문헌 (19)
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UCI(KEPA) : I410-ECN-0101-2012-810-003643595