지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2001.3
- 수록면
- 65 - 91 (27page)
이용수
초록· 키워드
오류제보하기
The aspects of socially and culturally restrained female identities during the British Renaissance may be traced either in literary representations in the 16th-century literature or in the social laws and moral homilies of English churches. However, in order to understand the cultural basis on the patriarchal oppression against women, it might be more fundamental to study how they perceived the female sex and body both physiologically and morally.
Women characters represented in English Renaissance plays are cultural products which mirror the English Renaissance patriarchal notions on women. The patriarchal discourse during the era perceived women as an inferior race of incomplete sex who needed to be educated, controlled, and tamed. The patriarchal discourse and practices were not a simple custom achieved through long repetitive social habits, but an elaborate ruling mechanism which had strong theoretical bases of justifying the patriarchal reign over women. Physiological knowledge on women's body during the era was not necessarily based on objective theories. It was a theoretical tool disguised as science.
This research will examine the scientific perceptions and social discourses on women's body, which are represented in The Taming of the Shrew, during the English Renaissance era. This research is focusing especially on the patriarchal discourse on the female tongue which aroused male agony and fear. Researching the scientific knowledge and moral expectations on women's body, this paper explains why the 16th-century English patriarchal culture was so sticking to the strict control over female tongue.
In The Taming of the Shrew, Kate's tongue symbolizes women's disorder and resistance against the patriarchal law and order. Kate's lousy tongue does not simply mean her talkativeness, but her dangerous challenge against the whole patriarchal language and system. The process of taming Kate is focused on taming her tongue. When Petruchio finishes taming her tongue, his taming Kate becomes complete. Taming Kate's tongue implies that revolting Kate is going to return to the patriarchal system. When her tongue is tamed, Kate loses her own language and only uses permitted words by the patriarchism.
Women characters represented in English Renaissance plays are cultural products which mirror the English Renaissance patriarchal notions on women. The patriarchal discourse during the era perceived women as an inferior race of incomplete sex who needed to be educated, controlled, and tamed. The patriarchal discourse and practices were not a simple custom achieved through long repetitive social habits, but an elaborate ruling mechanism which had strong theoretical bases of justifying the patriarchal reign over women. Physiological knowledge on women's body during the era was not necessarily based on objective theories. It was a theoretical tool disguised as science.
This research will examine the scientific perceptions and social discourses on women's body, which are represented in The Taming of the Shrew, during the English Renaissance era. This research is focusing especially on the patriarchal discourse on the female tongue which aroused male agony and fear. Researching the scientific knowledge and moral expectations on women's body, this paper explains why the 16th-century English patriarchal culture was so sticking to the strict control over female tongue.
In The Taming of the Shrew, Kate's tongue symbolizes women's disorder and resistance against the patriarchal law and order. Kate's lousy tongue does not simply mean her talkativeness, but her dangerous challenge against the whole patriarchal language and system. The process of taming Kate is focused on taming her tongue. When Petruchio finishes taming her tongue, his taming Kate becomes complete. Taming Kate's tongue implies that revolting Kate is going to return to the patriarchal system. When her tongue is tamed, Kate loses her own language and only uses permitted words by the patriarchism.
목차
등록된 정보가 없습니다.
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
케이트는 왜 길들여졌을까? : 『말괄량이 길들이기』에 반영된 여성육체의 통제를 위한 영국 초기현대의성적 담론과 의학
새한영어영문학
2010 .02
-
「지빠귀부리왕」의 동화적 프레임과「말괄량이 길들이기」읽기
Shakespeare Review
2012 .03
-
“길들이기” 혹은 소통의 강요 : 『말괄량이 길들이기』(The Taming of the Shrew)
Shakespeare Review
2018 .06
-
The Taming of the Shrew의 사회문화적 고찰 : 서막과 본극과의 관계를 중심으로
Shakespeare Review
1996 .12
-
역할연기를 통해서 본 삶의 연극성 : 『말괄량이 길들이기』(The Taming of the Shrew)를 중심으로
Shakespeare Review
1998 .06
-
탈식민페미니즘으로 읽는 셰익스피어의 『말괄량이 길들이기』
신영어영문학
2013 .02
-
『말괄량이 길들이기』: 여성의 사회적 정체성 형성의 작위적 과정
Shakespeare Review
2004 .03
-
The World Upside Down in The Taming of the Shrew
Shakespeare Review
1996 .12
-
The Taming of the Shrew : 그 희극적 인식의 전환과 갈등
Shakespeare Review
1994 .12
-
Decolonizing Kate: D. H. Lawrence’s The Plumed Serpent as a Critique of Modern Western Individualism
D. H. 로렌스 연구
2011 .01
-
존 플레처의 「아내조련사 조련하기」: “남편의 쾌락의 수인(囚人)”에서 협상의 주체로
고전 르네상스 영문학
2011 .01
-
Shakespeare연구와 페미니스트 비평 : The Taming of the Shrew의 경우를 중심으로
Shakespeare Review
1995 .12
-
『말괄량이 길들이기』 : 중세 기사 로맨스와 페트라르크 풍사랑의 바흐친적 패러디
Shakespeare Review
2005 .03
-
<식초 아가씨>에 나타난 탈출구로서의 결혼
영어영문학21
2019 .01
-
『말괄량이 길들이기』-'보여짐'의 결여와 왜곡된 투영
Shakespeare Review
1999 .06
-
『말괄량이 길들이기』에 대한 바흐찐적 읽기
Shakespeare Review
2000 .12
-
What about Tongue-speaking
신학지남
1977 .03
-
What About Tongue Speaking?
신학지남
1969 .09
이 논문의 저자 정보
이 논문과 함께 이용한 논문
케이트는 왜 길들여졌을까? : 『말괄량이 길들이기』에 반영된 여성육체의 통제를 위한 영국 초기현대의성적 담론과 의학
송원문
새한영어영문학
2010
.02
「지빠귀부리왕」의 동화적 프레임과「말괄량이 길들이기」읽기
이경옥
Shakespeare Review
2012
.03
『말괄량이 길들이기』 : 선택과 뜻의 세계
김미예
Shakespeare Review
2002
.12
『말괄량이 길들이기』: 여성의 사회적 정체성 형성의 작위적 과정
권오숙
Shakespeare Review
2004
.03
셰익스피어 시대 영국의 국민주의와 음식 : 『헨리 5세』와 『토마스 모어 경』을 중심으로
노승희
Shakespeare Review
2013
.12
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-840-003151436