지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This thesis is about a study on 〈The Arnolfini Portrait〉 by Jan Van Eyck (1366/95-1441) in 1434 who is one of the most representative painters of Flandre. This painting which has been owned by The National Gallery, London since 1842 has been known as a ‘pictorial marriage certificate’ for a long time in the western academic world of the art history since the study of Erwin Panofsky, an art history scholar. However, reading 〈The Arnolfini Portrait〉 in a social view point, this researcher tried to clarify that this work is not a pictorial marriage certificate to represent a scene of a wedding ceremony but a pure ‘married couple’s portrait’ ordered to show off the wealth of Giovanni Arnolfini, a Lucca merchant of Italy, who succeeded in Bruges, a rich commercial city of Frandre and celebrate his pious marriage life. Namely, through the iconographical analysis, it is believed that the theory of the “Hidden Symbolism” of Panofsky who widened the interpretation horizon of the Flemish art of the 15<SUP>th</SUP> century is inadequate as an analytic method about 〈The Arnolfini Portrait〉 corresponding to secularization so that critical reading of this work was attempted.
〈The Arnolfini Portrait〉 was a documentary photo about the social and economic position of the 15<SUP>th</SUP> century Flemish merchant which was represented as a realism painting of Jan Van Eyck who understood an European married couple’s emerging materialism in the end of the Middle Ages and the orderer’s intention. Above all, it could be found by seeing the things of 〈The Arnolfini Portrait〉 represented realistically how the life of the merchant couple who enjoyed economic abundance was. That is to say, this is a double portrait ordered to disclose his wealth through Arnolfini of the merchant class who has realistic and physical thought and his interior filled with expensive wealth shows his sincere marriage life with his wife, Giovanna Cenami. Accordingly, the various objects shown in the bedroom of the couple were signs indicating secular pride of a merchant couple who lived in a rich commercial city representing the 15<SUP>th</SUP> century prior to a symbol of a religious meaning.
〈The Arnolfini Portrait〉 was a documentary photo about the social and economic position of the 15<SUP>th</SUP> century Flemish merchant which was represented as a realism painting of Jan Van Eyck who understood an European married couple’s emerging materialism in the end of the Middle Ages and the orderer’s intention. Above all, it could be found by seeing the things of 〈The Arnolfini Portrait〉 represented realistically how the life of the merchant couple who enjoyed economic abundance was. That is to say, this is a double portrait ordered to disclose his wealth through Arnolfini of the merchant class who has realistic and physical thought and his interior filled with expensive wealth shows his sincere marriage life with his wife, Giovanna Cenami. Accordingly, the various objects shown in the bedroom of the couple were signs indicating secular pride of a merchant couple who lived in a rich commercial city representing the 15<SUP>th</SUP> century prior to a symbol of a religious meaning.
목차
Ⅰ. 들어가기
Ⅱ. 고대 로마의 결혼도상, 덱스트라룸 이운치오
Ⅲ. 12세기 성사(Sacrament)로서 결혼과 도상
Ⅳ. 아르놀피니의 부(富)와 실내 배경
Ⅴ. 나오기
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
얀 반 아이크의 "아르놀피니" 초상화
미술사연구
1990 .12
-
15세기 플랑드르 제단화에 나타난 봉헌자 초상화
서양미술사학회논문집
2002 .06
-
이광정 초상 : 중국과 조선에서 그린 조선 문인의 초상화
미술사학
2018 .08
-
조선시대의 초상화
미술사연구
1998 .12
-
Self Portrait
International Invitation Exhibition of Color Works
2014 .11
-
윤승길영정(尹承吉影幀)의 모사도 제작연구
미술문화연구
2020 .09
-
어진 제작기법을 변용한 초상화 제작 연구
미술문화연구
2020 .09
-
15세기 서구 사실주의 풍경화의 태동과 화가 얀 반 아이크
미술사논단
1995 .06
-
17세기 中國의 肖像畵 合作
미술사연구
2014 .12
-
화가와 초상화
미술사연구
2006 .12
-
조선시대 초상화의 圖像과 心像 : 조선 중후기 선비 초상화의 修己的 의미를 통해서 본 再現的 圖像의 實存的 의미와 기능에 대한 성찰
미술사학
2001 .08
-
거울과 사진, 한국 근대초상화의 닮음과 진실
인물미술사학
2011 .12
-
사회적 엠블럼으로서의 여배우 초상 : 레이놀즈의 〈비극의 뮤즈로서의 사라 시돈스〉 초상화 연구
미술사연구
2014 .12
-
조선시대 관복본 초상화에 나타난 족좌대의 변천과정
한국디자인문화학회지
2013 .09
-
지배자 모방하기 - 18세기 인도의 영국인 남성후원자 초상
한국근현대미술사학
2020 .07
-
흔적과 매개 : 바이오테크 시대의 얼굴 없는 초상화
현대미술사연구
2016 .12
-
朝鮮 後期 中國 肖像畵의 流入과 韓國的 變用 : 赴京使臣 持來本을 중심으로
미술사논단
2002 .09
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-609-002277529